Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels

This article argues that the maps in Australian author and illustrator Trace Balla’s graphic novels visualize the process of meeting and forming a relationship with Country. Mapping is an integral component of Rivertime (2014), Rockhopping (2016), and Landing with Wings (2020), as the child characte...

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Bibliographic Details
Main Author: Melanie Duckworth
Format: Article
Language:Danish
Published: Scandinavian University Press/Universitetsforlaget 2022-08-01
Series:Barnelitterært Forskningstidsskrift
Subjects:
Online Access:http://www.idunn.no/doi/10.18261/blft.13.1.4
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author Melanie Duckworth
author_facet Melanie Duckworth
author_sort Melanie Duckworth
collection DOAJ
description This article argues that the maps in Australian author and illustrator Trace Balla’s graphic novels visualize the process of meeting and forming a relationship with Country. Mapping is an integral component of Rivertime (2014), Rockhopping (2016), and Landing with Wings (2020), as the child characters draw and record their movements through and relationships with the land, and its human and nonhuman inhabitants. The article builds on recent work on mapping in children’s literature, postcolonial approaches to mapping and countermapping, ecocriticism, and Indigenous epistemologies, particularly the concept of “Country”. I suggest that Balla’s graphic novels decolonize the act of mapping and envision a less invasive, more respectful relationship with Australian landscape, plants, and animals by mapping children’s perspectives in conversation with Indigenous Australians.
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spelling doaj.art-950657f446004aa58e95f1e358ca46382023-08-02T08:41:03ZdanScandinavian University Press/UniversitetsforlagetBarnelitterært Forskningstidsskrift2000-74932022-08-0113111310.18261/blft.13.1.4Mapping, Countermapping, and Country in Trace Balla’s Graphic NovelsMelanie DuckworthThis article argues that the maps in Australian author and illustrator Trace Balla’s graphic novels visualize the process of meeting and forming a relationship with Country. Mapping is an integral component of Rivertime (2014), Rockhopping (2016), and Landing with Wings (2020), as the child characters draw and record their movements through and relationships with the land, and its human and nonhuman inhabitants. The article builds on recent work on mapping in children’s literature, postcolonial approaches to mapping and countermapping, ecocriticism, and Indigenous epistemologies, particularly the concept of “Country”. I suggest that Balla’s graphic novels decolonize the act of mapping and envision a less invasive, more respectful relationship with Australian landscape, plants, and animals by mapping children’s perspectives in conversation with Indigenous Australians.http://www.idunn.no/doi/10.18261/blft.13.1.4AustraliapostcolonialIndigenouscartographyecocriticism
spellingShingle Melanie Duckworth
Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels
Barnelitterært Forskningstidsskrift
Australia
postcolonial
Indigenous
cartography
ecocriticism
title Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels
title_full Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels
title_fullStr Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels
title_full_unstemmed Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels
title_short Mapping, Countermapping, and Country in Trace Balla’s Graphic Novels
title_sort mapping countermapping and country in trace balla s graphic novels
topic Australia
postcolonial
Indigenous
cartography
ecocriticism
url http://www.idunn.no/doi/10.18261/blft.13.1.4
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