Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)

The paper proposes a new critical edition, followed by a comment, of "Lo joi comens’en un bel mes", the text by Arnaut de Tintinhac with the widest manuscript tradition. The vers, which can be dated to the middle of the 12th century, consists in a broad reflection on fin’amor, presented as...

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Bibliographic Details
Main Author: Caterina Menichetti
Format: Article
Language:Catalan
Published: Università di Napoli Federico II 2015-05-01
Series:Lecturae Tropatorum
Subjects:
Online Access:http://www.lt.unina.it/Menichetti-2015.pdf
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author Caterina Menichetti
author_facet Caterina Menichetti
author_sort Caterina Menichetti
collection DOAJ
description The paper proposes a new critical edition, followed by a comment, of "Lo joi comens’en un bel mes", the text by Arnaut de Tintinhac with the widest manuscript tradition. The vers, which can be dated to the middle of the 12th century, consists in a broad reflection on fin’amor, presented as a discipline leading to individual refinement requiring of the lover the right behaviour and the ability to understand correctly. The paper presents a close reading of "Lo joi comensa", in which the methods of literary investigation as well as critical edition are brought into play. The poem’s manuscript tradition is quite corrupt: the vers is complete in only four manuscripts (CERc), which nonetheless offer two different stanza orders and a large amount of indifferent variants. The new edition is based on the western tradition represented by CER, but systematically confronts this with the text transmitted by the c-DaIK group.
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spelling doaj.art-9534ac5b18bd436eb2aac3bb8ffeb45c2022-12-22T03:07:13ZcatUniversità di Napoli Federico IILecturae Tropatorum1974-43741974-43742015-05-018137Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)Caterina MenichettiThe paper proposes a new critical edition, followed by a comment, of "Lo joi comens’en un bel mes", the text by Arnaut de Tintinhac with the widest manuscript tradition. The vers, which can be dated to the middle of the 12th century, consists in a broad reflection on fin’amor, presented as a discipline leading to individual refinement requiring of the lover the right behaviour and the ability to understand correctly. The paper presents a close reading of "Lo joi comensa", in which the methods of literary investigation as well as critical edition are brought into play. The poem’s manuscript tradition is quite corrupt: the vers is complete in only four manuscripts (CERc), which nonetheless offer two different stanza orders and a large amount of indifferent variants. The new edition is based on the western tradition represented by CER, but systematically confronts this with the text transmitted by the c-DaIK group.http://www.lt.unina.it/Menichetti-2015.pdfTroubadoursOld OccitanInterpretation
spellingShingle Caterina Menichetti
Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)
Lecturae Tropatorum
Troubadours
Old Occitan
Interpretation
title Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)
title_full Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)
title_fullStr Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)
title_full_unstemmed Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)
title_short Arnaut de Tintinhac, "Lo joi comens’en un bel mes" (BdT 34.2)
title_sort arnaut de tintinhac lo joi comens en un bel mes bdt 34 2
topic Troubadours
Old Occitan
Interpretation
url http://www.lt.unina.it/Menichetti-2015.pdf
work_keys_str_mv AT caterinamenichetti arnautdetintinhaclojoicomensenunbelmesbdt342