L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma
To what extent does cinema represent a resource to reflect on the evolutions of inhabited environments and, more specifically, to grasp the stakes and forces of an architectural and urban experience that is increasingly conditioned? This article aims to answer this question using three fictions – Di...
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Format: | Article |
Language: | fra |
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Ministère de la culture
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Series: | Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère |
Subjects: | |
Online Access: | https://journals.openedition.org/craup/2966 |
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author | Anne Bossé Théo Fort-Jacques |
author_facet | Anne Bossé Théo Fort-Jacques |
author_sort | Anne Bossé |
collection | DOAJ |
description | To what extent does cinema represent a resource to reflect on the evolutions of inhabited environments and, more specifically, to grasp the stakes and forces of an architectural and urban experience that is increasingly conditioned? This article aims to answer this question using three fictions – Die Hard, The Truman Show and Ocean’s Eleven – which are three films that allow to grasp conditioning from the standpoint of experience. The analysis, focused on technical and ambiance mechanisms as affordances, reveals four modalities of the experience of hyper-conditioned spaces: familiarization/defamiliarization, sabotage, interference, and immunisation. |
first_indexed | 2024-03-08T01:25:01Z |
format | Article |
id | doaj.art-955159f6446d4bb5813a34c917aefbeb |
institution | Directory Open Access Journal |
issn | 2606-7498 |
language | fra |
last_indexed | 2024-03-08T01:25:01Z |
publisher | Ministère de la culture |
record_format | Article |
series | Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère |
spelling | doaj.art-955159f6446d4bb5813a34c917aefbeb2024-02-14T14:06:13ZfraMinistère de la cultureLes Cahiers de la Recherche Architecturale, Urbaine et Paysagère2606-7498610.4000/craup.2966L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinémaAnne BosséThéo Fort-JacquesTo what extent does cinema represent a resource to reflect on the evolutions of inhabited environments and, more specifically, to grasp the stakes and forces of an architectural and urban experience that is increasingly conditioned? This article aims to answer this question using three fictions – Die Hard, The Truman Show and Ocean’s Eleven – which are three films that allow to grasp conditioning from the standpoint of experience. The analysis, focused on technical and ambiance mechanisms as affordances, reveals four modalities of the experience of hyper-conditioned spaces: familiarization/defamiliarization, sabotage, interference, and immunisation.https://journals.openedition.org/craup/2966Fiction MovieExperienceTechniquesAffordances |
spellingShingle | Anne Bossé Théo Fort-Jacques L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère Fiction Movie Experience Techniques Affordances |
title | L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma |
title_full | L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma |
title_fullStr | L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma |
title_full_unstemmed | L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma |
title_short | L’emprise des techniques ? Penser l’expérience urbaine conditionnée à partir du cinéma |
title_sort | l emprise des techniques penser l experience urbaine conditionnee a partir du cinema |
topic | Fiction Movie Experience Techniques Affordances |
url | https://journals.openedition.org/craup/2966 |
work_keys_str_mv | AT annebosse lemprisedestechniquespenserlexperienceurbaineconditionneeapartirducinema AT theofortjacques lemprisedestechniquespenserlexperienceurbaineconditionneeapartirducinema |