El gracioso calderoniano en La fiera, el rayo y la piedra
This article studies the importance of the three graciosos in Calderón de la Barca’s mythological comedia La fiera, el rayo y la piedra, first performed at the Buen Retiro Coliseum. Within the specific features of courtly theatre, and in relation to the defining features of the gracioso character, B...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Mirail
2022-04-01
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| Series: | Criticón |
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| Online Access: | http://journals.openedition.org/criticon/21194 |
| Summary: | This article studies the importance of the three graciosos in Calderón de la Barca’s mythological comedia La fiera, el rayo y la piedra, first performed at the Buen Retiro Coliseum. Within the specific features of courtly theatre, and in relation to the defining features of the gracioso character, Brunel, Lebrón y Pasquín show an increasing independence from their respective masters while establishing solidarity links among themselves, and play a mediating role between the theatrical fiction and the audience by becoming commentators of the main action with their parodic remarks. |
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| ISSN: | 0247-381X 2272-9852 |