MYSTERY PLAYS AND THEIR ORIGIN

On the assumption that the appearance of new literary works and genres in the Middle Ages was conditioned first of all on their usage and function, the authoress tries to justify the thesis according to which the appearence of the liturgic drama, owing to the need to include the masses into religion...

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Main Author: Adriana Car-Mihec
Format: Article
Language:Bulgarian
Published: University of Rijeka. Faculty of Humanities and Social Sciences 1996-01-01
Series:Fluminensia: Journal for Philological Research
Subjects:
Online Access:http://hrcak.srce.hr/file/195862
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author Adriana Car-Mihec
author_facet Adriana Car-Mihec
author_sort Adriana Car-Mihec
collection DOAJ
description On the assumption that the appearance of new literary works and genres in the Middle Ages was conditioned first of all on their usage and function, the authoress tries to justify the thesis according to which the appearence of the liturgic drama, owing to the need to include the masses into religion to make it firm, was conditioned by aspirations to visualize liturgic texts and the need that readers, that is, the public are not in doubt about narrators (actors, priest authorities) or the autonomy of characters who are being presented. The liturgic dramas appeared as presentations, performings of texts in contrast to telling or narrating liturgic ceremonies.
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publishDate 1996-01-01
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series Fluminensia: Journal for Philological Research
spelling doaj.art-9578aa73fb7f4f8daef1e2ecaad8a0d02022-12-22T01:45:21ZbulUniversity of Rijeka. Faculty of Humanities and Social SciencesFluminensia: Journal for Philological Research0353-46421848-96801996-01-0181-29191MYSTERY PLAYS AND THEIR ORIGINAdriana Car-MihecOn the assumption that the appearance of new literary works and genres in the Middle Ages was conditioned first of all on their usage and function, the authoress tries to justify the thesis according to which the appearence of the liturgic drama, owing to the need to include the masses into religion to make it firm, was conditioned by aspirations to visualize liturgic texts and the need that readers, that is, the public are not in doubt about narrators (actors, priest authorities) or the autonomy of characters who are being presented. The liturgic dramas appeared as presentations, performings of texts in contrast to telling or narrating liturgic ceremonies.http://hrcak.srce.hr/file/195862Middle Agesliturgic dramaliturgic textnarrator
spellingShingle Adriana Car-Mihec
MYSTERY PLAYS AND THEIR ORIGIN
Fluminensia: Journal for Philological Research
Middle Ages
liturgic drama
liturgic text
narrator
title MYSTERY PLAYS AND THEIR ORIGIN
title_full MYSTERY PLAYS AND THEIR ORIGIN
title_fullStr MYSTERY PLAYS AND THEIR ORIGIN
title_full_unstemmed MYSTERY PLAYS AND THEIR ORIGIN
title_short MYSTERY PLAYS AND THEIR ORIGIN
title_sort mystery plays and their origin
topic Middle Ages
liturgic drama
liturgic text
narrator
url http://hrcak.srce.hr/file/195862
work_keys_str_mv AT adrianacarmihec mysteryplaysandtheirorigin