The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen

Since the publication of Marcel Proust’s A la recherche du temps perdu (1913-1927), multiple artists have taken up the challenge of visualizing his modernist magnum opus. In this article, I will discuss the interpretation of Dutch artist Kees van Dongen, who created 77 illustrations for a luxury edi...

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Main Author: Charlotte Vrielink
Format: Article
Language:English
Published: Radboud University Press in cooperation with Open Journals 2017-06-01
Series:Relief: Revue Électronique de Littérature Francaise
Subjects:
Online Access:https://revue-relief.org/article/view/9130
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description Since the publication of Marcel Proust’s A la recherche du temps perdu (1913-1927), multiple artists have taken up the challenge of visualizing his modernist magnum opus. In this article, I will discuss the interpretation of Dutch artist Kees van Dongen, who created 77 illustrations for a luxury edition published by Gallimard in 1947. By looking at the way Van Dongen visualized different forms of art, I will argue that Van Dongen’s interpretation is more artistically interesting than has been asserted before, as there are many intertextual and even intermedial references and practices to be found in Van Dongen’s aquarelles.
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spelling doaj.art-95a7c1d7cdaf4c31b7626e4c203dd8812022-12-21T23:17:32ZengRadboud University Press in cooperation with Open JournalsRelief: Revue Électronique de Littérature Francaise1873-50452017-06-01111The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van DongenCharlotte Vrielink0Université RadboudSince the publication of Marcel Proust’s A la recherche du temps perdu (1913-1927), multiple artists have taken up the challenge of visualizing his modernist magnum opus. In this article, I will discuss the interpretation of Dutch artist Kees van Dongen, who created 77 illustrations for a luxury edition published by Gallimard in 1947. By looking at the way Van Dongen visualized different forms of art, I will argue that Van Dongen’s interpretation is more artistically interesting than has been asserted before, as there are many intertextual and even intermedial references and practices to be found in Van Dongen’s aquarelles.https://revue-relief.org/article/view/9130intermedialitybook illustrationiconographyMarcel ProustKees van Dongen
spellingShingle Charlotte Vrielink
The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen
Relief: Revue Électronique de Littérature Francaise
intermediality
book illustration
iconography
Marcel Proust
Kees van Dongen
title The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen
title_full The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen
title_fullStr The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen
title_full_unstemmed The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen
title_short The Art of Illustrating the Impossible: Marcel Proust’s A la recherche du temps perdu through the eyes of Kees van Dongen
title_sort art of illustrating the impossible marcel proust s a la recherche du temps perdu through the eyes of kees van dongen
topic intermediality
book illustration
iconography
Marcel Proust
Kees van Dongen
url https://revue-relief.org/article/view/9130
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