Constructing nature behind the glass

By way of introducing this special issue of Museum and Society, ‘Constructing nature behind glass’, this paper first surveys the literature devoted to analyses of natural history objects and collections. Such work is to be found in interesting places – not only in museum studies, history of science,...

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Main Author: Samuel J.M.M. Alberti
Format: Article
Language:English
Published: University of Leicester 2008-07-01
Series:Museum & Society
Online Access:https://journals.le.ac.uk/ojs1/index.php/mas/article/view/116
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author Samuel J.M.M. Alberti
author_facet Samuel J.M.M. Alberti
author_sort Samuel J.M.M. Alberti
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description By way of introducing this special issue of Museum and Society, ‘Constructing nature behind glass’, this paper first surveys the literature devoted to analyses of natural history objects and collections. Such work is to be found in interesting places – not only in museum studies, history of science, and professional museum literature, but also in visual studies, anthropology and cultural geography. After exploiting this writing for different perspectives on the cultural and practical construction of museum nature, this paper moves on to consider one popular topic, taxidermy. The ambiguous nature of taxidermic mounts, or ‘remnant models’, leads to a discussion of the relative status of specimen and artefact. I identify four configurations of their relationship: museum nature as opposed to material culture; museum nature as material culture; museum nature and material culture sharing parallel processes; and finally, museum nature and material culture entangled. All offer perspectives on the construction of nature and culture behind glass.
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spelling doaj.art-95a88c75ec634389ac421e1ab19dc7282022-12-22T01:27:01ZengUniversity of LeicesterMuseum & Society1479-83602008-07-01627397105Constructing nature behind the glassSamuel J.M.M. AlbertiBy way of introducing this special issue of Museum and Society, ‘Constructing nature behind glass’, this paper first surveys the literature devoted to analyses of natural history objects and collections. Such work is to be found in interesting places – not only in museum studies, history of science, and professional museum literature, but also in visual studies, anthropology and cultural geography. After exploiting this writing for different perspectives on the cultural and practical construction of museum nature, this paper moves on to consider one popular topic, taxidermy. The ambiguous nature of taxidermic mounts, or ‘remnant models’, leads to a discussion of the relative status of specimen and artefact. I identify four configurations of their relationship: museum nature as opposed to material culture; museum nature as material culture; museum nature and material culture sharing parallel processes; and finally, museum nature and material culture entangled. All offer perspectives on the construction of nature and culture behind glass.https://journals.le.ac.uk/ojs1/index.php/mas/article/view/116
spellingShingle Samuel J.M.M. Alberti
Constructing nature behind the glass
Museum & Society
title Constructing nature behind the glass
title_full Constructing nature behind the glass
title_fullStr Constructing nature behind the glass
title_full_unstemmed Constructing nature behind the glass
title_short Constructing nature behind the glass
title_sort constructing nature behind the glass
url https://journals.le.ac.uk/ojs1/index.php/mas/article/view/116
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