Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo

Ariagna Fajardo´s films has been responsible in a great way of the approach of TV Serrana to an anthropological visual discourse. This filmmaker has synthetized the aspiration of the institution of collecting the Da sein of reality in the mountains and added to the practice the ontological Project t...

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Main Author: Carlos Guillermo Lloga-Sanz
Format: Article
Language:Spanish
Published: Universidad de Oriente 2017-01-01
Series:Santiago
Subjects:
Online Access:http://revistas.uo.edu.cu/index.php/stgo/article/view/1952
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author Carlos Guillermo Lloga-Sanz
author_facet Carlos Guillermo Lloga-Sanz
author_sort Carlos Guillermo Lloga-Sanz
collection DOAJ
description Ariagna Fajardo´s films has been responsible in a great way of the approach of TV Serrana to an anthropological visual discourse. This filmmaker has synthetized the aspiration of the institution of collecting the Da sein of reality in the mountains and added to the practice the ontological Project that compromises her. Such phenomenological stands allows her, through the representation of everyday life –existentia– to raise the question that interrogates for being, trespassing what is in front of our eyes and discover in the process the essentia behind the fact. Since her entrance in the contemporary audiovisual landscape, Fajardo films has matured. This research pretends a review of her most important films with the intention of proving the abilities of cinematic technique, and at the same time revealing the sharpness of this filmmaker in contrasting discourses of diverse origin.
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spelling doaj.art-95f4815ea27a4469b86122ca0b342a912022-12-22T03:57:57ZspaUniversidad de OrienteSantiago2227-65132017-01-01005181719Trascending da-sein. breaks and continuities in the filmography of Ariagna FajardoCarlos Guillermo Lloga-Sanz0Universidad de OrienteAriagna Fajardo´s films has been responsible in a great way of the approach of TV Serrana to an anthropological visual discourse. This filmmaker has synthetized the aspiration of the institution of collecting the Da sein of reality in the mountains and added to the practice the ontological Project that compromises her. Such phenomenological stands allows her, through the representation of everyday life –existentia– to raise the question that interrogates for being, trespassing what is in front of our eyes and discover in the process the essentia behind the fact. Since her entrance in the contemporary audiovisual landscape, Fajardo films has matured. This research pretends a review of her most important films with the intention of proving the abilities of cinematic technique, and at the same time revealing the sharpness of this filmmaker in contrasting discourses of diverse origin.http://revistas.uo.edu.cu/index.php/stgo/article/view/1952cine documentaldocumental antropológicoantropología visualTelevisión Serranaser-ahí.
spellingShingle Carlos Guillermo Lloga-Sanz
Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo
Santiago
cine documental
documental antropológico
antropología visual
Televisión Serrana
ser-ahí.
title Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo
title_full Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo
title_fullStr Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo
title_full_unstemmed Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo
title_short Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo
title_sort trascending da sein breaks and continuities in the filmography of ariagna fajardo
topic cine documental
documental antropológico
antropología visual
Televisión Serrana
ser-ahí.
url http://revistas.uo.edu.cu/index.php/stgo/article/view/1952
work_keys_str_mv AT carlosguillermollogasanz trascendingdaseinbreaksandcontinuitiesinthefilmographyofariagnafajardo