Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli

The following essay outlines the differences in Studio Ghibli’s creative strategies by pointing out not only constructions of the various universes, but also other topics and ideas on the structure and plot of the texts. The author distinguishes the two worlds in Ghibli films, falling into either of...

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Main Author: Sławomir Wasiński
Format: Article
Language:deu
Published: Nicolaus Copernicus University in Toruń 2014-12-01
Series:Litteraria Copernicana
Subjects:
Online Access:https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5204
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author Sławomir Wasiński
author_facet Sławomir Wasiński
author_sort Sławomir Wasiński
collection DOAJ
description The following essay outlines the differences in Studio Ghibli’s creative strategies by pointing out not only constructions of the various universes, but also other topics and ideas on the structure and plot of the texts. The author distinguishes the two worlds in Ghibli films, falling into either of the two categories: a mythical reality or a logical reality. The first category relates to the miraculous events and the wide variety of vivid characters; these are mainly found in the works of the studio’s founder, Hayao Miyazaki. The logical realities, on the other hand, are characteristic of the works of Isao Takahata, Miyazaki’s best friend. Takahata creates stories populated with everyday, down-to-earth characters, set up in a more or less contemporary Japanese reality.
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spelling doaj.art-95f58c612c714c859da457b4ea6135ea2022-12-21T18:24:49ZdeuNicolaus Copernicus University in ToruńLitteraria Copernicana1899-315X2392-16172014-12-0102(14)/24426110.12775/LC.2014.0354745Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia GhibliSławomir Wasiński0Uniwersytet JagiellońskiThe following essay outlines the differences in Studio Ghibli’s creative strategies by pointing out not only constructions of the various universes, but also other topics and ideas on the structure and plot of the texts. The author distinguishes the two worlds in Ghibli films, falling into either of the two categories: a mythical reality or a logical reality. The first category relates to the miraculous events and the wide variety of vivid characters; these are mainly found in the works of the studio’s founder, Hayao Miyazaki. The logical realities, on the other hand, are characteristic of the works of Isao Takahata, Miyazaki’s best friend. Takahata creates stories populated with everyday, down-to-earth characters, set up in a more or less contemporary Japanese reality.https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5204ghibli studioanimation filmhayao miyazaki
spellingShingle Sławomir Wasiński
Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli
Litteraria Copernicana
ghibli studio
animation film
hayao miyazaki
title Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli
title_full Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli
title_fullStr Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli
title_full_unstemmed Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli
title_short Światy mityczne, światy logiczne. Odmienne wizje w twórczości Studia Ghibli
title_sort swiaty mityczne swiaty logiczne odmienne wizje w tworczosci studia ghibli
topic ghibli studio
animation film
hayao miyazaki
url https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5204
work_keys_str_mv AT sławomirwasinski swiatymityczneswiatylogiczneodmiennewizjewtworczoscistudiaghibli