“We are all souls”: Dogs, dog-wo/men and borderlands in Coetzee and Tyulkin

Examining the notion of “dog-men” in Coetzee’s Disgrace and Tyulkin’s documentary Not about Dogs, I argue that when the main characters become dog-men and dog-women they share with dogs the status of subaltern border-creatures. I view the spaces in the Eastern Cape and eastern Kazakhstan as borderla...

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Bibliographic Details
Main Author: Henrietta Mondry
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2018-08-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/5508
Description
Summary:Examining the notion of “dog-men” in Coetzee’s Disgrace and Tyulkin’s documentary Not about Dogs, I argue that when the main characters become dog-men and dog-women they share with dogs the status of subaltern border-creatures. I view the spaces in the Eastern Cape and eastern Kazakhstan as borderlands which parallel the mythic lands of Dog-men from White’s anthropological study Myths of the Dog-man. These spaces of human-dog interactions, in turn, relate to Foucauldian heterotopias as sites that establish alternative modes of power relations.
ISSN:0041-476X
2309-9070