Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990

Kept in the Special Collections Division of the University of St Andrews, the collection of the images and archives of the photographer Franki Raffles (1955–1994) is the fruit of a short but prolific career, marked by political activism. Raffles devoted her life to the deconstruction of the power re...

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Main Author: Marine Benoit-Blain
Format: Article
Language:fra
Published: École du Louvre 2017-05-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:http://journals.openedition.org/cel/555
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author Marine Benoit-Blain
author_facet Marine Benoit-Blain
author_sort Marine Benoit-Blain
collection DOAJ
description Kept in the Special Collections Division of the University of St Andrews, the collection of the images and archives of the photographer Franki Raffles (1955–1994) is the fruit of a short but prolific career, marked by political activism. Raffles devoted her life to the deconstruction of the power relations inherent in the dynamics of representation, particularly in documentary photography. Her photographic oeuvre was thus exclusively dedicated to the representation of women as independent figures. Heavily influenced by far-left schools of thought, particularly Marxist-Leninist philosophy, she subverted a univocal tradition of representation to make photography a tool for dialogue and communication. A passionate, complex and politically committed figure, Raffles became the ambassador for the practice of photography as a tool for struggle and protest, and her work was militant and feminist.
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spelling doaj.art-9605f476cab94faeacb744b2f82c167c2022-12-22T03:16:16ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-05-011010.4000/cel.555Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990Marine Benoit-BlainKept in the Special Collections Division of the University of St Andrews, the collection of the images and archives of the photographer Franki Raffles (1955–1994) is the fruit of a short but prolific career, marked by political activism. Raffles devoted her life to the deconstruction of the power relations inherent in the dynamics of representation, particularly in documentary photography. Her photographic oeuvre was thus exclusively dedicated to the representation of women as independent figures. Heavily influenced by far-left schools of thought, particularly Marxist-Leninist philosophy, she subverted a univocal tradition of representation to make photography a tool for dialogue and communication. A passionate, complex and politically committed figure, Raffles became the ambassador for the practice of photography as a tool for struggle and protest, and her work was militant and feminist.http://journals.openedition.org/cel/555documentary photographyfeminist photographyfeminismmilitant photographyScotlandUnited Kingdom
spellingShingle Marine Benoit-Blain
Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990
Les Cahiers de l'École du Louvre
documentary photography
feminist photography
feminism
militant photography
Scotland
United Kingdom
title Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990
title_full Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990
title_fullStr Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990
title_full_unstemmed Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990
title_short Franki Raffles, photographe engagée : la photographie féministe en Écosse dans les années 1980 et 1990
title_sort franki raffles photographe engagee la photographie feministe en ecosse dans les annees 1980 et 1990
topic documentary photography
feminist photography
feminism
militant photography
Scotland
United Kingdom
url http://journals.openedition.org/cel/555
work_keys_str_mv AT marinebenoitblain frankirafflesphotographeengageelaphotographiefeministeenecossedanslesannees1980et1990