| Summary: | This paper offers fulfilled news about all the «gongoremas» imitated, celebrated or —considerably less— mocked by Alonso de Castillo Solórzano throughout his width narrative corpus. It is divides into four sections: 1) introduction: critical ideas about the novela culta of the Baroque; 2) table 1: «gongoremas» used by the polygraph of Tordesillas, with quotation of the title of his respective books, the paragraphs that interest us, the texts of the author of the Soledades that he chose as a model and the date of writing and/or print (both the poems of Don Luis as of the collections published by Castillo); 3) table 2: «culturemas» (not purely of Góngora) imitated or mocked from Tardes entretenidas (1625) to La quinta de Laura (1649); and 4) conclusions about the most alluded compositions and their frequency index.
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