Pippi Goes to the Fair

Why don’t we try taking a childlike perspective on theatre? Young readers world-wide have been fascinated by the rascally and wilful girl, Pippi Longstocking, who never conforms to reality as we know it. Whenever she steps out of her own little world at Villekulla Cottage, she turns the familiar ups...

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Main Author: Lindgren, Astrid
Format: Article
Language:deu
Published: University College Cork 2009-07-01
Series:SCENARIO: Journal for Performative Teaching, Learning, Research
Online Access:https://journals.ucc.ie/index.php/scenario/article/view/scenario-3-2-1
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author Lindgren, Astrid
author_facet Lindgren, Astrid
author_sort Lindgren, Astrid
collection DOAJ
description Why don’t we try taking a childlike perspective on theatre? Young readers world-wide have been fascinated by the rascally and wilful girl, Pippi Longstocking, who never conforms to reality as we know it. Whenever she steps out of her own little world at Villekulla Cottage, she turns the familiar upside down. This excerpt is surprising in that Pippi experiences theatrical fiction as reality, while the audience perceives her intervention in events on stage as fiction. We smile because Pippi is so charmingly naive. The drama on stage touches her so much that she feels compelled to intervene. Associations with Bertolt Brecht‘s Aesthetics of Theatre seem appropriate, inviting perhaps a reassessment of the role played by the naïve in Brecht’s concept of theatre.
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spelling doaj.art-9619381ea39f40d5adf6a94b7f59f1ec2024-03-03T03:04:51ZdeuUniversity College CorkSCENARIO: Journal for Performative Teaching, Learning, Research1649-85262009-07-01III21610.33178/scenario.3.2.1Pippi Goes to the FairLindgren, AstridWhy don’t we try taking a childlike perspective on theatre? Young readers world-wide have been fascinated by the rascally and wilful girl, Pippi Longstocking, who never conforms to reality as we know it. Whenever she steps out of her own little world at Villekulla Cottage, she turns the familiar upside down. This excerpt is surprising in that Pippi experiences theatrical fiction as reality, while the audience perceives her intervention in events on stage as fiction. We smile because Pippi is so charmingly naive. The drama on stage touches her so much that she feels compelled to intervene. Associations with Bertolt Brecht‘s Aesthetics of Theatre seem appropriate, inviting perhaps a reassessment of the role played by the naïve in Brecht’s concept of theatre.https://journals.ucc.ie/index.php/scenario/article/view/scenario-3-2-1
spellingShingle Lindgren, Astrid
Pippi Goes to the Fair
SCENARIO: Journal for Performative Teaching, Learning, Research
title Pippi Goes to the Fair
title_full Pippi Goes to the Fair
title_fullStr Pippi Goes to the Fair
title_full_unstemmed Pippi Goes to the Fair
title_short Pippi Goes to the Fair
title_sort pippi goes to the fair
url https://journals.ucc.ie/index.php/scenario/article/view/scenario-3-2-1
work_keys_str_mv AT lindgrenastrid pippigoestothefair