Two ‘Performances’ by Magaly Solier: Building a Cultural Image

This article analyzes two public appearances of the actress and singer Magaly Solier, early in her career: the Berlinale 2009 Award Ceremony, where the film La teta asustada obtained the most important award; and the interview given to a Peruvian blog while visiting the “Yuyanapaq” photo exhibit. Bo...

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Main Author: Ricardo Bedoya
Format: Article
Language:English
Published: Universidad de Lima 2016-04-01
Series:Contratexto
Subjects:
Online Access:https://revistas.ulima.edu.pe/index.php/contratexto/article/view/770
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author Ricardo Bedoya
author_facet Ricardo Bedoya
author_sort Ricardo Bedoya
collection DOAJ
description This article analyzes two public appearances of the actress and singer Magaly Solier, early in her career: the Berlinale 2009 Award Ceremony, where the film La teta asustada obtained the most important award; and the interview given to a Peruvian blog while visiting the “Yuyanapaq” photo exhibit. Both are interpreted as the construction of a personal narrative: a young woman, inheritor of the memory of violence caused by the internal armed conflict, who becomes a mediator between her tradition and mass media. The text summarizes chapter four of the thesis entitled “Made in Huanta. Transits and scenarios of Magaly Solier: the construction of a cultural text” (Pontificia Universidad Católica del Perú, August 2012).
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spelling doaj.art-96235ebe148d4d8fa2c548f5e2ab5d4b2022-12-21T21:59:57ZengUniversidad de LimaContratexto1025-99451993-49042016-04-010026718410.26439/contratexto2016.n026.7701231Two ‘Performances’ by Magaly Solier: Building a Cultural ImageRicardo Bedoya0Universidad de Lima (Perú)This article analyzes two public appearances of the actress and singer Magaly Solier, early in her career: the Berlinale 2009 Award Ceremony, where the film La teta asustada obtained the most important award; and the interview given to a Peruvian blog while visiting the “Yuyanapaq” photo exhibit. Both are interpreted as the construction of a personal narrative: a young woman, inheritor of the memory of violence caused by the internal armed conflict, who becomes a mediator between her tradition and mass media. The text summarizes chapter four of the thesis entitled “Made in Huanta. Transits and scenarios of Magaly Solier: the construction of a cultural text” (Pontificia Universidad Católica del Perú, August 2012).https://revistas.ulima.edu.pe/index.php/contratexto/article/view/770evento mediáticofestivales de cineetnicidadconflicto armado internomemoriaperformance
spellingShingle Ricardo Bedoya
Two ‘Performances’ by Magaly Solier: Building a Cultural Image
Contratexto
evento mediático
festivales de cine
etnicidad
conflicto armado interno
memoria
performance
title Two ‘Performances’ by Magaly Solier: Building a Cultural Image
title_full Two ‘Performances’ by Magaly Solier: Building a Cultural Image
title_fullStr Two ‘Performances’ by Magaly Solier: Building a Cultural Image
title_full_unstemmed Two ‘Performances’ by Magaly Solier: Building a Cultural Image
title_short Two ‘Performances’ by Magaly Solier: Building a Cultural Image
title_sort two performances by magaly solier building a cultural image
topic evento mediático
festivales de cine
etnicidad
conflicto armado interno
memoria
performance
url https://revistas.ulima.edu.pe/index.php/contratexto/article/view/770
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