Two ‘Performances’ by Magaly Solier: Building a Cultural Image
This article analyzes two public appearances of the actress and singer Magaly Solier, early in her career: the Berlinale 2009 Award Ceremony, where the film La teta asustada obtained the most important award; and the interview given to a Peruvian blog while visiting the “Yuyanapaq” photo exhibit. Bo...
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Format: | Article |
Language: | English |
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Universidad de Lima
2016-04-01
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Series: | Contratexto |
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Online Access: | https://revistas.ulima.edu.pe/index.php/contratexto/article/view/770 |
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author | Ricardo Bedoya |
author_facet | Ricardo Bedoya |
author_sort | Ricardo Bedoya |
collection | DOAJ |
description | This article analyzes two public appearances of the actress and singer Magaly Solier, early in her career: the Berlinale 2009 Award Ceremony, where the film La teta asustada obtained the most important award; and the interview given to a Peruvian blog while visiting the “Yuyanapaq” photo exhibit. Both are interpreted as the construction of a personal narrative: a young woman, inheritor of the memory of violence caused by the internal armed conflict, who becomes a mediator between her tradition and mass media. The text summarizes chapter four of the thesis entitled “Made in Huanta. Transits and scenarios of Magaly Solier: the construction of a cultural text” (Pontificia Universidad Católica del Perú, August 2012). |
first_indexed | 2024-12-17T06:37:36Z |
format | Article |
id | doaj.art-96235ebe148d4d8fa2c548f5e2ab5d4b |
institution | Directory Open Access Journal |
issn | 1025-9945 1993-4904 |
language | English |
last_indexed | 2024-12-17T06:37:36Z |
publishDate | 2016-04-01 |
publisher | Universidad de Lima |
record_format | Article |
series | Contratexto |
spelling | doaj.art-96235ebe148d4d8fa2c548f5e2ab5d4b2022-12-21T21:59:57ZengUniversidad de LimaContratexto1025-99451993-49042016-04-010026718410.26439/contratexto2016.n026.7701231Two ‘Performances’ by Magaly Solier: Building a Cultural ImageRicardo Bedoya0Universidad de Lima (Perú)This article analyzes two public appearances of the actress and singer Magaly Solier, early in her career: the Berlinale 2009 Award Ceremony, where the film La teta asustada obtained the most important award; and the interview given to a Peruvian blog while visiting the “Yuyanapaq” photo exhibit. Both are interpreted as the construction of a personal narrative: a young woman, inheritor of the memory of violence caused by the internal armed conflict, who becomes a mediator between her tradition and mass media. The text summarizes chapter four of the thesis entitled “Made in Huanta. Transits and scenarios of Magaly Solier: the construction of a cultural text” (Pontificia Universidad Católica del Perú, August 2012).https://revistas.ulima.edu.pe/index.php/contratexto/article/view/770evento mediáticofestivales de cineetnicidadconflicto armado internomemoriaperformance |
spellingShingle | Ricardo Bedoya Two ‘Performances’ by Magaly Solier: Building a Cultural Image Contratexto evento mediático festivales de cine etnicidad conflicto armado interno memoria performance |
title | Two ‘Performances’ by Magaly Solier: Building a Cultural Image |
title_full | Two ‘Performances’ by Magaly Solier: Building a Cultural Image |
title_fullStr | Two ‘Performances’ by Magaly Solier: Building a Cultural Image |
title_full_unstemmed | Two ‘Performances’ by Magaly Solier: Building a Cultural Image |
title_short | Two ‘Performances’ by Magaly Solier: Building a Cultural Image |
title_sort | two performances by magaly solier building a cultural image |
topic | evento mediático festivales de cine etnicidad conflicto armado interno memoria performance |
url | https://revistas.ulima.edu.pe/index.php/contratexto/article/view/770 |
work_keys_str_mv | AT ricardobedoya twoperformancesbymagalysolierbuildingaculturalimage |