The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking
Ingrid Vang Nyman’s illustrations to Astrid Lindgren’s books about Pippi Longstocking seem to contradict customary perspective logic. In her interior images, Vang Nyman displays curiously assorted objects, animate and inanimate, in a range of textures, colours and shapes. The elements in her composi...
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Format: | Article |
Language: | Danish |
Published: |
Svenska Barnboksinstitutet
2011-11-01
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Series: | Barnboken: Tidskrift för Barnlitteraturforskning |
Online Access: | https://www.barnboken.net/index.php/clr/article/view/48 |
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author | Elina Druker |
author_facet | Elina Druker |
author_sort | Elina Druker |
collection | DOAJ |
description | Ingrid Vang Nyman’s illustrations to Astrid Lindgren’s books about Pippi Longstocking seem to contradict customary perspective logic. In her interior images, Vang Nyman displays curiously assorted objects, animate and inanimate, in a range of textures, colours and shapes. The elements in her compositions are often presented at tipped angles, where everything is observed without overlapping perspectives. Why this constant defiance of gravity, the free distortion of proportions and multiplicity of details? Everything seems to be in motion, in a state of flux and turmoil, pointing to the adventurous potential of everyday places and objects. In this paper, I discuss Ingrid Vang Nyman’s use of pictorial effects and her way of playing with perspective and spatial order, and I will place this technique in the larger context of art history. |
first_indexed | 2024-12-11T05:51:39Z |
format | Article |
id | doaj.art-965231a1981e4a7c89da7c4f4c45ee5b |
institution | Directory Open Access Journal |
issn | 0347-772X 2000-4389 |
language | Danish |
last_indexed | 2024-12-11T05:51:39Z |
publishDate | 2011-11-01 |
publisher | Svenska Barnboksinstitutet |
record_format | Article |
series | Barnboken: Tidskrift för Barnlitteraturforskning |
spelling | doaj.art-965231a1981e4a7c89da7c4f4c45ee5b2022-12-22T01:18:48ZdanSvenska BarnboksinstitutetBarnboken: Tidskrift för Barnlitteraturforskning0347-772X2000-43892011-11-01301-210.14811/clr.v30i1-2.48The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi LongstockingElina DrukerIngrid Vang Nyman’s illustrations to Astrid Lindgren’s books about Pippi Longstocking seem to contradict customary perspective logic. In her interior images, Vang Nyman displays curiously assorted objects, animate and inanimate, in a range of textures, colours and shapes. The elements in her compositions are often presented at tipped angles, where everything is observed without overlapping perspectives. Why this constant defiance of gravity, the free distortion of proportions and multiplicity of details? Everything seems to be in motion, in a state of flux and turmoil, pointing to the adventurous potential of everyday places and objects. In this paper, I discuss Ingrid Vang Nyman’s use of pictorial effects and her way of playing with perspective and spatial order, and I will place this technique in the larger context of art history.https://www.barnboken.net/index.php/clr/article/view/48 |
spellingShingle | Elina Druker The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking Barnboken: Tidskrift för Barnlitteraturforskning |
title | The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking |
title_full | The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking |
title_fullStr | The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking |
title_full_unstemmed | The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking |
title_short | The animated still life. Ingrid Vang Nyman's use of self-contradictory spatial order in Pippi Longstocking |
title_sort | animated still life ingrid vang nyman s use of self contradictory spatial order in pippi longstocking |
url | https://www.barnboken.net/index.php/clr/article/view/48 |
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