Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble

Urban plays establish a mechanism of dramatic production-reception, in which the women’s dimension stands out in a very special way, since Lope de Vega creates really effective and intriguing game of dramatic mirrors between the main female characters and the female audience, who, in some cases, coi...

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Main Author: Marcella Trambaioli
Format: Article
Language:English
Published: Institut du Monde Anglophone 2022-12-01
Series:Etudes Epistémè
Subjects:
Online Access:http://journals.openedition.org/episteme/15746
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author Marcella Trambaioli
author_facet Marcella Trambaioli
author_sort Marcella Trambaioli
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description Urban plays establish a mechanism of dramatic production-reception, in which the women’s dimension stands out in a very special way, since Lope de Vega creates really effective and intriguing game of dramatic mirrors between the main female characters and the female audience, who, in some cases, coincide. Nevertheless, even when both actresses and spectators did not coincide, the eminent women, at whom the plays were aimed, represented the main audience of this type of drama. This is the reason why why domestic plays could be considered as a sort of feminine genealogical drama.
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spelling doaj.art-965bb9b782f54abb802233470e17b9d82023-02-09T16:13:46ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502022-12-014210.4000/episteme.15746Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino nobleMarcella TrambaioliUrban plays establish a mechanism of dramatic production-reception, in which the women’s dimension stands out in a very special way, since Lope de Vega creates really effective and intriguing game of dramatic mirrors between the main female characters and the female audience, who, in some cases, coincide. Nevertheless, even when both actresses and spectators did not coincide, the eminent women, at whom the plays were aimed, represented the main audience of this type of drama. This is the reason why why domestic plays could be considered as a sort of feminine genealogical drama.http://journals.openedition.org/episteme/15746Lope de Vegaurban playscortesanización of the domestic playsladies vs actressesfemale horizon of expectation
spellingShingle Marcella Trambaioli
Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble
Etudes Epistémè
Lope de Vega
urban plays
cortesanización of the domestic plays
ladies vs actresses
female horizon of expectation
title Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble
title_full Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble
title_fullStr Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble
title_full_unstemmed Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble
title_short Algunas calas en la comedia de ambientación urbana de Lope de Vega y su relación con el público femenino noble
title_sort algunas calas en la comedia de ambientacion urbana de lope de vega y su relacion con el publico femenino noble
topic Lope de Vega
urban plays
cortesanización of the domestic plays
ladies vs actresses
female horizon of expectation
url http://journals.openedition.org/episteme/15746
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