Exploring Micro-worlds of Music Meanings
<p>A musical practice may have exclusive meanings shared only by some groups of people within a society. In fact, music has the capacity to create spaces for reserved communication between groups of individuals. Within these ambits, performance activity accompanies more or less articulated for...
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| Format: | Article |
| Language: | English |
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Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras (Universidad de Buenos Aires)
2014-03-01
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| Series: | El Oído Pensante |
| Subjects: | |
| Online Access: | http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/4092 |
| _version_ | 1819087807346376704 |
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| author | Ignazio Macchiarella |
| author_facet | Ignazio Macchiarella |
| author_sort | Ignazio Macchiarella |
| collection | DOAJ |
| description | <p>A musical practice may have exclusive meanings shared only by some groups of people within a society. In fact, music has the capacity to create spaces for reserved communication between groups of individuals. Within these ambits, performance activity accompanies more or less articulated forms of thinking of the same performers and parts of competent listeners, since, if nothing else, each musical event is imagined previously and discussed afterwards. This shared knowledge impregnates the concreteness of musical expression, often explaining the variability which is perceptible when listening from outside the group. To investigate this kind of ambit of construction of meanings, it is necessary to try to get as close as possible to the cognitions shared by those who belong to it. To this end, a very significant contribution can come from heuristic approaches based on the strategies of dialogue, above all, negotiated dialogues (and not simple juxtapositions of different opinions) where, on the basis of deep mutual trust, through the intertwining and interaction of different points of view, elements of interpretation emerge for the scholar. This text aims to deal with this, based on a concrete methodological experience.</p><p> </p> |
| first_indexed | 2024-12-21T21:42:01Z |
| format | Article |
| id | doaj.art-965f1bc85297445084a02b4cdcda6e77 |
| institution | Directory Open Access Journal |
| issn | 2250-7116 |
| language | English |
| last_indexed | 2024-12-21T21:42:01Z |
| publishDate | 2014-03-01 |
| publisher | Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras (Universidad de Buenos Aires) |
| record_format | Article |
| series | El Oído Pensante |
| spelling | doaj.art-965f1bc85297445084a02b4cdcda6e772022-12-21T18:49:20ZengInstituto de Ciencias Antropológicas, Facultad de Filosofía y Letras (Universidad de Buenos Aires)El Oído Pensante2250-71162014-03-01212264Exploring Micro-worlds of Music MeaningsIgnazio Macchiarella<p>A musical practice may have exclusive meanings shared only by some groups of people within a society. In fact, music has the capacity to create spaces for reserved communication between groups of individuals. Within these ambits, performance activity accompanies more or less articulated forms of thinking of the same performers and parts of competent listeners, since, if nothing else, each musical event is imagined previously and discussed afterwards. This shared knowledge impregnates the concreteness of musical expression, often explaining the variability which is perceptible when listening from outside the group. To investigate this kind of ambit of construction of meanings, it is necessary to try to get as close as possible to the cognitions shared by those who belong to it. To this end, a very significant contribution can come from heuristic approaches based on the strategies of dialogue, above all, negotiated dialogues (and not simple juxtapositions of different opinions) where, on the basis of deep mutual trust, through the intertwining and interaction of different points of view, elements of interpretation emerge for the scholar. This text aims to deal with this, based on a concrete methodological experience.</p><p> </p>http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/4092performancedialogicidadcanto a varias vocescreatividad individual y colectivapequeños escenarios musicales locales |
| spellingShingle | Ignazio Macchiarella Exploring Micro-worlds of Music Meanings El Oído Pensante performance dialogicidad canto a varias voces creatividad individual y colectiva pequeños escenarios musicales locales |
| title | Exploring Micro-worlds of Music Meanings |
| title_full | Exploring Micro-worlds of Music Meanings |
| title_fullStr | Exploring Micro-worlds of Music Meanings |
| title_full_unstemmed | Exploring Micro-worlds of Music Meanings |
| title_short | Exploring Micro-worlds of Music Meanings |
| title_sort | exploring micro worlds of music meanings |
| topic | performance dialogicidad canto a varias voces creatividad individual y colectiva pequeños escenarios musicales locales |
| url | http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/4092 |
| work_keys_str_mv | AT ignaziomacchiarella exploringmicroworldsofmusicmeanings |