Suites arcadiennes : le roman sidnéien au-delà de sa fin

Sir Philip Sidney’s pastoral romance, The Countess of Pembrokes Arcadia (first published in 1590, but which had been circulating in manuscript form for a few years) gave rise to multiple imitations and continuations in seventeenth-century Britain, because of its popularity and of the author’s untime...

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Main Author: Aurélie Griffin
Format: Article
Language:English
Published: Institut du Monde Anglophone 2022-06-01
Series:Etudes Epistémè
Subjects:
Online Access:http://journals.openedition.org/episteme/13830
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author Aurélie Griffin
author_facet Aurélie Griffin
author_sort Aurélie Griffin
collection DOAJ
description Sir Philip Sidney’s pastoral romance, The Countess of Pembrokes Arcadia (first published in 1590, but which had been circulating in manuscript form for a few years) gave rise to multiple imitations and continuations in seventeenth-century Britain, because of its popularity and of the author’s untimely death, which left the narrative incomplete, ending as it does on an unfinished sentence. Three of these continuations (by Sir William Alexander in 1616, Richard Bellings in 1621, and James Jouhnstoun in 1638) were published in new editions of Arcadia. These three texts prove how much the material specificities of Sidney’s romance, namely its episodic structure, fragmented composition, and double mode of publication, both in manuscript and in print, generated these imitations and determined their form. They also illustrate the complex genesis of authorship in early modern England, as these authors were trapped between modesty and self-affirmation.
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spelling doaj.art-9669d59005884cac82b9db3e82c02a882022-12-22T02:44:40ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502022-06-014110.4000/episteme.13830Suites arcadiennes : le roman sidnéien au-delà de sa finAurélie GriffinSir Philip Sidney’s pastoral romance, The Countess of Pembrokes Arcadia (first published in 1590, but which had been circulating in manuscript form for a few years) gave rise to multiple imitations and continuations in seventeenth-century Britain, because of its popularity and of the author’s untimely death, which left the narrative incomplete, ending as it does on an unfinished sentence. Three of these continuations (by Sir William Alexander in 1616, Richard Bellings in 1621, and James Jouhnstoun in 1638) were published in new editions of Arcadia. These three texts prove how much the material specificities of Sidney’s romance, namely its episodic structure, fragmented composition, and double mode of publication, both in manuscript and in print, generated these imitations and determined their form. They also illustrate the complex genesis of authorship in early modern England, as these authors were trapped between modesty and self-affirmation.http://journals.openedition.org/episteme/13830ArcadiaSidney (Philip)pastoralcontinuationimitationmateriality
spellingShingle Aurélie Griffin
Suites arcadiennes : le roman sidnéien au-delà de sa fin
Etudes Epistémè
Arcadia
Sidney (Philip)
pastoral
continuation
imitation
materiality
title Suites arcadiennes : le roman sidnéien au-delà de sa fin
title_full Suites arcadiennes : le roman sidnéien au-delà de sa fin
title_fullStr Suites arcadiennes : le roman sidnéien au-delà de sa fin
title_full_unstemmed Suites arcadiennes : le roman sidnéien au-delà de sa fin
title_short Suites arcadiennes : le roman sidnéien au-delà de sa fin
title_sort suites arcadiennes le roman sidneien au dela de sa fin
topic Arcadia
Sidney (Philip)
pastoral
continuation
imitation
materiality
url http://journals.openedition.org/episteme/13830
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