Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq

The present essay aims at presenting, in a comparative and updated perspective, two different readings of crucial themes in regard to the XIX century, such as dandyism and decadentism. In this sense, it approximates, respectively, Oscar Wilde’s The Picture of Dorian Gray (1890), and Michel Houellebe...

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Main Author: Angela Maria Dias
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2020-07-01
Series:Gragoatá
Subjects:
Online Access:https://periodicos.uff.br/gragoata/article/view/34149
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author Angela Maria Dias
author_facet Angela Maria Dias
author_sort Angela Maria Dias
collection DOAJ
description The present essay aims at presenting, in a comparative and updated perspective, two different readings of crucial themes in regard to the XIX century, such as dandyism and decadentism. In this sense, it approximates, respectively, Oscar Wilde’s The Picture of Dorian Gray (1890), and Michel Houellebecq’s Submission: A Novel (2015), to Joris-Karl Huysmans’ emblematic novel À rebours (1884). Both Wilde’s and Houllebecq’s works, in distinct ways, approach these issues through remarkably unusual keys. The former displaces its refinement, towards an appetite for melodramatic cruelty as it explores the monstrous margin of its time. The latter deviates from the disenchanted melancholy of its crepuscular climate, drifting in both satire and cynicism, as it acknowledges the convergence between the decadentism of the nineteen hundreds and our dystopian present time, which is demeaned by the workings of human deterritorialization.
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spelling doaj.art-96b28592a66244e8bc62c85a36eb4d122022-12-22T01:22:41ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142020-07-0125Esp45547210.22409/gragoata.v25iEsp.3414920693Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and HouellebecqAngela Maria Dias0Universidade Federal Fluminense (UFF)The present essay aims at presenting, in a comparative and updated perspective, two different readings of crucial themes in regard to the XIX century, such as dandyism and decadentism. In this sense, it approximates, respectively, Oscar Wilde’s The Picture of Dorian Gray (1890), and Michel Houellebecq’s Submission: A Novel (2015), to Joris-Karl Huysmans’ emblematic novel À rebours (1884). Both Wilde’s and Houllebecq’s works, in distinct ways, approach these issues through remarkably unusual keys. The former displaces its refinement, towards an appetite for melodramatic cruelty as it explores the monstrous margin of its time. The latter deviates from the disenchanted melancholy of its crepuscular climate, drifting in both satire and cynicism, as it acknowledges the convergence between the decadentism of the nineteen hundreds and our dystopian present time, which is demeaned by the workings of human deterritorialization.https://periodicos.uff.br/gragoata/article/view/34149decadentismo, dandismo, leituras.
spellingShingle Angela Maria Dias
Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq
Gragoatá
decadentismo, dandismo, leituras.
title Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq
title_full Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq
title_fullStr Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq
title_full_unstemmed Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq
title_short Dandies, cynics and skeptics: pathologies of decadentism in Wilde, Huysmans and Houellebecq
title_sort dandies cynics and skeptics pathologies of decadentism in wilde huysmans and houellebecq
topic decadentismo, dandismo, leituras.
url https://periodicos.uff.br/gragoata/article/view/34149
work_keys_str_mv AT angelamariadias dandiescynicsandskepticspathologiesofdecadentisminwildehuysmansandhouellebecq