Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”

The relationship between national tradition and modern ethics has become an important proposition of ethnic minority films in the new century. With the development of society, the minority areas are more closely connected with the outside world, and some individuals of the minorities can be exposed...

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Main Author: Cui Kaixiang
Format: Article
Language:English
Published: EDP Sciences 2023-01-01
Series:SHS Web of Conferences
Online Access:https://www.shs-conferences.org/articles/shsconf/pdf/2023/16/shsconf_cacc2023_01012.pdf
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author Cui Kaixiang
author_facet Cui Kaixiang
author_sort Cui Kaixiang
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description The relationship between national tradition and modern ethics has become an important proposition of ethnic minority films in the new century. With the development of society, the minority areas are more closely connected with the outside world, and some individuals of the minorities can be exposed to modern ethics and realize their superiority over the traditional national ethics. Due to the connection with the traditional national society, the awakening individual often bears strong tearing and pain in the conscious transformation from tradition to modern. This irreversible transformation process accompanied by strong pain has been condensed into two symbols of “leaving” and “death” in the film text.
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spelling doaj.art-96ce26e26c9d496aba69ef7b682893b22023-06-20T09:10:59ZengEDP SciencesSHS Web of Conferences2261-24242023-01-011670101210.1051/shsconf/202316701012shsconf_cacc2023_01012Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”Cui Kaixiang0Literature of Theatre Film and Television, Communication University of China, Chaoyang DistrictThe relationship between national tradition and modern ethics has become an important proposition of ethnic minority films in the new century. With the development of society, the minority areas are more closely connected with the outside world, and some individuals of the minorities can be exposed to modern ethics and realize their superiority over the traditional national ethics. Due to the connection with the traditional national society, the awakening individual often bears strong tearing and pain in the conscious transformation from tradition to modern. This irreversible transformation process accompanied by strong pain has been condensed into two symbols of “leaving” and “death” in the film text.https://www.shs-conferences.org/articles/shsconf/pdf/2023/16/shsconf_cacc2023_01012.pdf
spellingShingle Cui Kaixiang
Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”
SHS Web of Conferences
title Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”
title_full Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”
title_fullStr Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”
title_full_unstemmed Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”
title_short Leaving and death: The awakening of individual modernity in ethnic minority films——Based on the reading of “A Mongolian Tale” and “Jinpa”
title_sort leaving and death the awakening of individual modernity in ethnic minority films based on the reading of a mongolian tale and jinpa
url https://www.shs-conferences.org/articles/shsconf/pdf/2023/16/shsconf_cacc2023_01012.pdf
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