La voix, elle, ne ment pas : créativité et mystification éthiques dans la chanson
Though a song may very well cash in on its numerous and multi semiotic media to enhance the ethos of a singer, these media may also be used in quite an opposite way, so as to disrupt and jeopardize the textual and poetic construction of an ethos and thus unveil the ethical mystification. It is up to...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Université du Sud Toulon-Var
2016-07-01
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| Series: | Babel: Littératures Plurielles |
| Subjects: | |
| Online Access: | http://journals.openedition.org/babel/4698 |
| Summary: | Though a song may very well cash in on its numerous and multi semiotic media to enhance the ethos of a singer, these media may also be used in quite an opposite way, so as to disrupt and jeopardize the textual and poetic construction of an ethos and thus unveil the ethical mystification. It is up to the listener, who is a desirous and trustful subject, to rearrange the face of the cantor (the equivalent of the narrator in a song). |
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| ISSN: | 1277-7897 2263-4746 |