Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man

The aim of this paper is to analyse the 1999 film version of Isaac Asimov<s iThe Bicentennial Manj (1976), a film that reflects the changing status of the dichotomy human/non-human in our culture. The idea of blurring the human body boundaries has become one of the most repeated and successful su...

Full description

Bibliographic Details
Main Author: Sonia Baelo Allué
Format: Article
Language:English
Published: Universidad de Almeria 2017-02-01
Series:Odisea
Online Access:http://ojs.ual.es/ojs/index.php/ODISEA/article/view/23
_version_ 1818334142915411968
author Sonia Baelo Allué
author_facet Sonia Baelo Allué
author_sort Sonia Baelo Allué
collection DOAJ
description The aim of this paper is to analyse the 1999 film version of Isaac Asimov<s iThe Bicentennial Manj (1976), a film that reflects the changing status of the dichotomy human/non-human in our culture. The idea of blurring the human body boundaries has become one of the most repeated and successful subject matters of the science-fiction genre, a subject especially attractive in a time that some critics have defined as ipost-humanj. Starting from Norbert Wiener theories we will see different approaches to the idea of the cyborg and the ipost-humanj, which will help us to understand the changing relationship between machine, robot and cyborg in Bicentennial Man (1999). We will analyse in which ways the film answers the question: what does it mean to be human in a posthuman world?
first_indexed 2024-12-13T14:02:50Z
format Article
id doaj.art-97bea87e123140109761733bd96a0511
institution Directory Open Access Journal
issn 1578-3820
2174-1611
language English
last_indexed 2024-12-13T14:02:50Z
publishDate 2017-02-01
publisher Universidad de Almeria
record_format Article
series Odisea
spelling doaj.art-97bea87e123140109761733bd96a05112022-12-21T23:42:41ZengUniversidad de AlmeriaOdisea1578-38202174-16112017-02-0104173010.25115/odisea.v0i4.2321Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial ManSonia Baelo Allué0Universidad de ZaragozaThe aim of this paper is to analyse the 1999 film version of Isaac Asimov<s iThe Bicentennial Manj (1976), a film that reflects the changing status of the dichotomy human/non-human in our culture. The idea of blurring the human body boundaries has become one of the most repeated and successful subject matters of the science-fiction genre, a subject especially attractive in a time that some critics have defined as ipost-humanj. Starting from Norbert Wiener theories we will see different approaches to the idea of the cyborg and the ipost-humanj, which will help us to understand the changing relationship between machine, robot and cyborg in Bicentennial Man (1999). We will analyse in which ways the film answers the question: what does it mean to be human in a posthuman world?http://ojs.ual.es/ojs/index.php/ODISEA/article/view/23
spellingShingle Sonia Baelo Allué
Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man
Odisea
title Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man
title_full Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man
title_fullStr Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man
title_full_unstemmed Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man
title_short Blurring Posthuman Identities: The New Version of Humanity Offered by Bicentennial Man
title_sort blurring posthuman identities the new version of humanity offered by bicentennial man
url http://ojs.ual.es/ojs/index.php/ODISEA/article/view/23
work_keys_str_mv AT soniabaeloallue blurringposthumanidentitiesthenewversionofhumanityofferedbybicentennialman