Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
Based on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, be...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2016-01-01
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| Series: | Ciências Sociais Unisinos |
| Subjects: | |
| Online Access: | http://www.redalyc.org/articulo.oa?id=93849899015 |