Creative Commons and Appropriation: Implicit Collaboration in Digital Works

Appropriation is a common practice in art and literature; electronic literature in particular lends itself readily to appropriation and collaboration, due to its multimodal and born-digital nature. This paper presents practice-based research examining the effects of digital appropriation on two work...

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Main Author: R. Lyle Skains
Format: Article
Language:English
Published: MDPI AG 2016-03-01
Series:Publications
Subjects:
Online Access:http://www.mdpi.com/2304-6775/4/1/7
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author R. Lyle Skains
author_facet R. Lyle Skains
author_sort R. Lyle Skains
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description Appropriation is a common practice in art and literature; electronic literature in particular lends itself readily to appropriation and collaboration, due to its multimodal and born-digital nature. This paper presents practice-based research examining the effects of digital appropriation on two works of digital fiction (a hyperfiction and an interactive fiction), demonstrating how it alters the creative writer’s typical process, as well as the resulting narrative itself. This practice of appropriation results in “implicit collaboration” between the digital creative writer and those whose work is appropriated, an arguable form of shared authorship. Questions regarding the ethics of this practice, including copyright concerns and authorship, are discussed.
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spelling doaj.art-97ccfbfccfc94dc081f425ec79334c572022-12-22T04:28:14ZengMDPI AGPublications2304-67752016-03-0141710.3390/publications4010007publications4010007Creative Commons and Appropriation: Implicit Collaboration in Digital WorksR. Lyle Skains0School of Creative Studies & Media, Bangor University, John Phillips Hall, College Road, Bangor, Gwynedd LL57 2DG, UKAppropriation is a common practice in art and literature; electronic literature in particular lends itself readily to appropriation and collaboration, due to its multimodal and born-digital nature. This paper presents practice-based research examining the effects of digital appropriation on two works of digital fiction (a hyperfiction and an interactive fiction), demonstrating how it alters the creative writer’s typical process, as well as the resulting narrative itself. This practice of appropriation results in “implicit collaboration” between the digital creative writer and those whose work is appropriated, an arguable form of shared authorship. Questions regarding the ethics of this practice, including copyright concerns and authorship, are discussed.http://www.mdpi.com/2304-6775/4/1/7appropriationdigital fictionpractice-based researchelectronic literatureimplicit collaborationauthorshipcreative writinginternet gift economyethics
spellingShingle R. Lyle Skains
Creative Commons and Appropriation: Implicit Collaboration in Digital Works
Publications
appropriation
digital fiction
practice-based research
electronic literature
implicit collaboration
authorship
creative writing
internet gift economy
ethics
title Creative Commons and Appropriation: Implicit Collaboration in Digital Works
title_full Creative Commons and Appropriation: Implicit Collaboration in Digital Works
title_fullStr Creative Commons and Appropriation: Implicit Collaboration in Digital Works
title_full_unstemmed Creative Commons and Appropriation: Implicit Collaboration in Digital Works
title_short Creative Commons and Appropriation: Implicit Collaboration in Digital Works
title_sort creative commons and appropriation implicit collaboration in digital works
topic appropriation
digital fiction
practice-based research
electronic literature
implicit collaboration
authorship
creative writing
internet gift economy
ethics
url http://www.mdpi.com/2304-6775/4/1/7
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