Ugo Nespolo e la Critica della Ragion Pratica
Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach toward reality. Through his objects and materials he offers to the viewer a possible ideal reconstruction of his combined elements and object-machines. Through these ones he creates a sort of mental lab...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2015-04-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/2257 |
| _version_ | 1818485644056330240 |
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| author | Pierre Restany |
| author_facet | Pierre Restany |
| author_sort | Pierre Restany |
| collection | DOAJ |
| description | Deliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach toward reality. Through his objects and materials he offers to the viewer a possible ideal reconstruction of his combined elements and object-machines. Through these ones he creates a sort of mental laboratory that suggests to the viewer the possibility to be transported by the shapes of his artworks and to participate to his logical, but also ludic and ironic, artistic proposal. |
| first_indexed | 2024-12-10T16:11:43Z |
| format | Article |
| id | doaj.art-97e29172e00e4fab9e5f5c50a0c3510a |
| institution | Directory Open Access Journal |
| issn | 0035-6212 2421-5864 |
| language | English |
| last_indexed | 2024-12-10T16:11:43Z |
| publishDate | 2015-04-01 |
| publisher | Rosenberg & Sellier |
| record_format | Article |
| series | Rivista di Estetica |
| spelling | doaj.art-97e29172e00e4fab9e5f5c50a0c3510a2022-12-22T01:42:06ZengRosenberg & SellierRivista di Estetica0035-62122421-58642015-04-01111310.4000/estetica.2257Ugo Nespolo e la Critica della Ragion PraticaPierre RestanyDeliberately with the elaboration of his late 60s’ artworks Nespolo adopts a fragmentary approach toward reality. Through his objects and materials he offers to the viewer a possible ideal reconstruction of his combined elements and object-machines. Through these ones he creates a sort of mental laboratory that suggests to the viewer the possibility to be transported by the shapes of his artworks and to participate to his logical, but also ludic and ironic, artistic proposal.http://journals.openedition.org/estetica/2257 |
| spellingShingle | Pierre Restany Ugo Nespolo e la Critica della Ragion Pratica Rivista di Estetica |
| title | Ugo Nespolo e la Critica della Ragion Pratica |
| title_full | Ugo Nespolo e la Critica della Ragion Pratica |
| title_fullStr | Ugo Nespolo e la Critica della Ragion Pratica |
| title_full_unstemmed | Ugo Nespolo e la Critica della Ragion Pratica |
| title_short | Ugo Nespolo e la Critica della Ragion Pratica |
| title_sort | ugo nespolo e la critica della ragion pratica |
| url | http://journals.openedition.org/estetica/2257 |
| work_keys_str_mv | AT pierrerestany ugonespoloelacriticadellaragionpratica |