Intercourse as Discourse in Alexa Hennig von Lange’s Relax

While gender has long been an abiding concern of Popliteratur , pop writers (in particular female authors) are often criticized for simply reflecting, if not positively endorsing, negative forms of postfeminism—an attitude that negates the accomplishments of emancipation by regressing to traditiona...

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Main Author: Corinna Kahnke
Format: Article
Language:English
Published: New Prairie Press 2011-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol35/iss1/4
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author Corinna Kahnke
author_facet Corinna Kahnke
author_sort Corinna Kahnke
collection DOAJ
description While gender has long been an abiding concern of Popliteratur , pop writers (in particular female authors) are often criticized for simply reflecting, if not positively endorsing, negative forms of postfeminism—an attitude that negates the accomplishments of emancipation by regressing to traditional ideas of what it means to be a woman. Some critics suggest that pop texts re-inscribe the gender binary by presenting, even glorifying, long-established gender roles. In response to such a reception, this article investigates Alexa Hennig von Lange’s iconic but much criticized novel Relax (1999) in order to illustrate the reflective and critical nature of Popliteratur . I demonstrate how Hennig von Lange critically engages with images of masculinity, femininity and feminism, thereby queering (that is to say de-stabilizing), pre-conceived notions of gender and identity. Ultimately, texts such as Relax foreshadow the demands of the new popfeminists roughly a decade later.
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spelling doaj.art-98774684fb814ed48c7e5efb203e49012022-12-21T17:59:05ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152011-01-0135110.4148/2334-4415.17385760593Intercourse as Discourse in Alexa Hennig von Lange’s RelaxCorinna KahnkeWhile gender has long been an abiding concern of Popliteratur , pop writers (in particular female authors) are often criticized for simply reflecting, if not positively endorsing, negative forms of postfeminism—an attitude that negates the accomplishments of emancipation by regressing to traditional ideas of what it means to be a woman. Some critics suggest that pop texts re-inscribe the gender binary by presenting, even glorifying, long-established gender roles. In response to such a reception, this article investigates Alexa Hennig von Lange’s iconic but much criticized novel Relax (1999) in order to illustrate the reflective and critical nature of Popliteratur . I demonstrate how Hennig von Lange critically engages with images of masculinity, femininity and feminism, thereby queering (that is to say de-stabilizing), pre-conceived notions of gender and identity. Ultimately, texts such as Relax foreshadow the demands of the new popfeminists roughly a decade later.http://newprairiepress.org/sttcl/vol35/iss1/4
spellingShingle Corinna Kahnke
Intercourse as Discourse in Alexa Hennig von Lange’s Relax
Studies in 20th & 21st Century Literature
title Intercourse as Discourse in Alexa Hennig von Lange’s Relax
title_full Intercourse as Discourse in Alexa Hennig von Lange’s Relax
title_fullStr Intercourse as Discourse in Alexa Hennig von Lange’s Relax
title_full_unstemmed Intercourse as Discourse in Alexa Hennig von Lange’s Relax
title_short Intercourse as Discourse in Alexa Hennig von Lange’s Relax
title_sort intercourse as discourse in alexa hennig von lange s relax
url http://newprairiepress.org/sttcl/vol35/iss1/4
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