Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the car...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2022-09-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/96143 |
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author | Thálita Motta Melo |
author_facet | Thálita Motta Melo |
author_sort | Thálita Motta Melo |
collection | DOAJ |
description |
This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the carnivalization, from the joy's strategies analyzed in Belo Horizonte and its street carnival. This is like an aesthetic-political glimpse amidst the new right’s ill-forged barrel of copies, characterized by the strategy of the hybrid war, a mark of History's falsification, as tactics for geopolitical territory dispute.
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first_indexed | 2024-12-10T05:31:55Z |
format | Article |
id | doaj.art-989fb6f3b0de477cb2ac3935dbd80333 |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-12-10T05:31:55Z |
publishDate | 2022-09-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-989fb6f3b0de477cb2ac3935dbd803332022-12-22T02:00:31ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602022-09-0194Clues to a Performative Cartography of the ‘New Right’ (2015-2019)Thálita Motta Melo This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the carnivalization, from the joy's strategies analyzed in Belo Horizonte and its street carnival. This is like an aesthetic-political glimpse amidst the new right’s ill-forged barrel of copies, characterized by the strategy of the hybrid war, a mark of History's falsification, as tactics for geopolitical territory dispute. https://seer.ufrgs.br/index.php/presenca/article/view/96143CarnivalizationPerformativityAestheticization of Politics‘New Right’ |
spellingShingle | Thálita Motta Melo Clues to a Performative Cartography of the ‘New Right’ (2015-2019) Revista Brasileira de Estudos da Presença Carnivalization Performativity Aestheticization of Politics ‘New Right’ |
title | Clues to a Performative Cartography of the ‘New Right’ (2015-2019) |
title_full | Clues to a Performative Cartography of the ‘New Right’ (2015-2019) |
title_fullStr | Clues to a Performative Cartography of the ‘New Right’ (2015-2019) |
title_full_unstemmed | Clues to a Performative Cartography of the ‘New Right’ (2015-2019) |
title_short | Clues to a Performative Cartography of the ‘New Right’ (2015-2019) |
title_sort | clues to a performative cartography of the new right 2015 2019 |
topic | Carnivalization Performativity Aestheticization of Politics ‘New Right’ |
url | https://seer.ufrgs.br/index.php/presenca/article/view/96143 |
work_keys_str_mv | AT thalitamottamelo cluestoaperformativecartographyofthenewright20152019 |