Clues to a Performative Cartography of the ‘New Right’ (2015-2019)

This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the car...

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Main Author: Thálita Motta Melo
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2022-09-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/96143
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author Thálita Motta Melo
author_facet Thálita Motta Melo
author_sort Thálita Motta Melo
collection DOAJ
description This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the carnivalization, from the joy's strategies analyzed in Belo Horizonte and its street carnival. This is like an aesthetic-political glimpse amidst the new right’s ill-forged barrel of copies, characterized by the strategy of the hybrid war, a mark of History's falsification, as tactics for geopolitical territory dispute.
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spelling doaj.art-989fb6f3b0de477cb2ac3935dbd803332022-12-22T02:00:31ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602022-09-0194Clues to a Performative Cartography of the ‘New Right’ (2015-2019)Thálita Motta Melo This paper aims to weave a reflection from the performativity setback, when charting the politics’ aestheticization and art’s politicization, produced from the rise of the new right in recent Brazil, permeating aspects of its performativity. In conclusion, it is discussed aspects concerning the carnivalization, from the joy's strategies analyzed in Belo Horizonte and its street carnival. This is like an aesthetic-political glimpse amidst the new right’s ill-forged barrel of copies, characterized by the strategy of the hybrid war, a mark of History's falsification, as tactics for geopolitical territory dispute. https://seer.ufrgs.br/index.php/presenca/article/view/96143CarnivalizationPerformativityAestheticization of Politics‘New Right’
spellingShingle Thálita Motta Melo
Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
Revista Brasileira de Estudos da Presença
Carnivalization
Performativity
Aestheticization of Politics
‘New Right’
title Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
title_full Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
title_fullStr Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
title_full_unstemmed Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
title_short Clues to a Performative Cartography of the ‘New Right’ (2015-2019)
title_sort clues to a performative cartography of the new right 2015 2019
topic Carnivalization
Performativity
Aestheticization of Politics
‘New Right’
url https://seer.ufrgs.br/index.php/presenca/article/view/96143
work_keys_str_mv AT thalitamottamelo cluestoaperformativecartographyofthenewright20152019