Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship
Kunio Kato’s film “La Maison En Petits Cubes” has two dimensions. One of these is the content design, which depends on aristo aesthetic, and the other one is the visual aesthetic, which depends on tranquil, simple, refreshing and relaxing traditional japan pictures like Ando Hirosige’s. The director...
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| Format: | Article |
| Language: | English |
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University of Pittsburgh
2014-04-01
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| Series: | CINEJ Cinema Journal |
| Subjects: | |
| Online Access: | http://cinej.pitt.edu/ojs/index.php/cinej/article/view/86 |
| _version_ | 1818998189207846912 |
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| author | Yasemin Kılınçarslan |
| author_facet | Yasemin Kılınçarslan |
| author_sort | Yasemin Kılınçarslan |
| collection | DOAJ |
| description | Kunio Kato’s film “La Maison En Petits Cubes” has two dimensions. One of these is the content design, which depends on aristo aesthetic, and the other one is the visual aesthetic, which depends on tranquil, simple, refreshing and relaxing traditional japan pictures like Ando Hirosige’s. The director manages to configure a visual and content integrity between the form of human body and the design of the city. The human- city analogy is the key point to look at the human consciousness which inquiries the existentialism problems related to changing milieu. |
| first_indexed | 2024-12-20T21:57:34Z |
| format | Article |
| id | doaj.art-98dd3aa7d8de44dab90ef9ec4bd750b9 |
| institution | Directory Open Access Journal |
| issn | 2159-2411 2158-8724 |
| language | English |
| last_indexed | 2024-12-20T21:57:34Z |
| publishDate | 2014-04-01 |
| publisher | University of Pittsburgh |
| record_format | Article |
| series | CINEJ Cinema Journal |
| spelling | doaj.art-98dd3aa7d8de44dab90ef9ec4bd750b92022-12-21T19:25:25ZengUniversity of PittsburghCINEJ Cinema Journal2159-24112158-87242014-04-013115016110.5195/cinej.2013.8665Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual RelationshipYasemin Kılınçarslan0Asist. Prof. Dr.Kunio Kato’s film “La Maison En Petits Cubes” has two dimensions. One of these is the content design, which depends on aristo aesthetic, and the other one is the visual aesthetic, which depends on tranquil, simple, refreshing and relaxing traditional japan pictures like Ando Hirosige’s. The director manages to configure a visual and content integrity between the form of human body and the design of the city. The human- city analogy is the key point to look at the human consciousness which inquiries the existentialism problems related to changing milieu.http://cinej.pitt.edu/ojs/index.php/cinej/article/view/86aesthetic, animated cinema, japan, catharsis, milieu |
| spellingShingle | Yasemin Kılınçarslan Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship CINEJ Cinema Journal aesthetic, animated cinema, japan, catharsis, milieu |
| title | Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
| title_full | Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
| title_fullStr | Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
| title_full_unstemmed | Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
| title_short | Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship |
| title_sort | pattern of the body image in la maison en petits cubes on the basis of milieu and individual relationship |
| topic | aesthetic, animated cinema, japan, catharsis, milieu |
| url | http://cinej.pitt.edu/ojs/index.php/cinej/article/view/86 |
| work_keys_str_mv | AT yaseminkılıncarslan patternofthebodyimageinlamaisonenpetitscubesonthebasisofmilieuandindividualrelationship |