The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects

Unlike regular pigments based on selective light absorption, the so-called “effect pigments″ are based on the phenomena of structural color, or selective reflectance. Structural color has appealing aesthetic qualities, such as angle-dependent hue, and is able to produce lightfast colors. When used a...

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Main Authors: Abigail Trujillo-Vazquez, Harrie Fuller, Susanne Klein, Carinna Parraman
Format: Article
Language:English
Published: MDPI AG 2022-01-01
Series:Applied Sciences
Subjects:
Online Access:https://www.mdpi.com/2076-3417/12/2/793
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author Abigail Trujillo-Vazquez
Harrie Fuller
Susanne Klein
Carinna Parraman
author_facet Abigail Trujillo-Vazquez
Harrie Fuller
Susanne Klein
Carinna Parraman
author_sort Abigail Trujillo-Vazquez
collection DOAJ
description Unlike regular pigments based on selective light absorption, the so-called “effect pigments″ are based on the phenomena of structural color, or selective reflectance. Structural color has appealing aesthetic qualities, such as angle-dependent hue, and is able to produce lightfast colors. When used as a pigment, however, the gamut of the print is more limited, the color is difficult to measure, and therefore color management and preprint process become challenging. The aim of this paper is to compare the behavior of effect pigments in the processes of lithographic and screen printing with standard pigments used in so-called process inks, and to analyze their optical properties when used on their own or in combination with absorption pigments. An image of amber beads was printed as screen prints and lithographs. Three sets of inks were used: Set one: Standard process inks in the colors cyan, magenta, yellow and black (CMYK); set two: RGB inks formulated with Merck Spectraval™ pearlescent pigments which allow additive red, green, blue printing on a black substrate; and set three: golden inks formulated with pigments from the Merck Iriodin™ and Pyrisma™ effect pigment range. The image was printed on white and black paper. The optical appearance was assessed visually, and spectra and color coordinates were measured.
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spelling doaj.art-98faf7b45dd4468980e6d21a520c5dc42023-11-23T12:52:51ZengMDPI AGApplied Sciences2076-34172022-01-0112279310.3390/app12020793The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent ObjectsAbigail Trujillo-Vazquez0Harrie Fuller1Susanne Klein2Carinna Parraman3Centre for Print Research, University of the West of England, Bristol BS16 1QY, UKCentre for Print Research, University of the West of England, Bristol BS16 1QY, UKCentre for Print Research, University of the West of England, Bristol BS16 1QY, UKCentre for Print Research, University of the West of England, Bristol BS16 1QY, UKUnlike regular pigments based on selective light absorption, the so-called “effect pigments″ are based on the phenomena of structural color, or selective reflectance. Structural color has appealing aesthetic qualities, such as angle-dependent hue, and is able to produce lightfast colors. When used as a pigment, however, the gamut of the print is more limited, the color is difficult to measure, and therefore color management and preprint process become challenging. The aim of this paper is to compare the behavior of effect pigments in the processes of lithographic and screen printing with standard pigments used in so-called process inks, and to analyze their optical properties when used on their own or in combination with absorption pigments. An image of amber beads was printed as screen prints and lithographs. Three sets of inks were used: Set one: Standard process inks in the colors cyan, magenta, yellow and black (CMYK); set two: RGB inks formulated with Merck Spectraval™ pearlescent pigments which allow additive red, green, blue printing on a black substrate; and set three: golden inks formulated with pigments from the Merck Iriodin™ and Pyrisma™ effect pigment range. The image was printed on white and black paper. The optical appearance was assessed visually, and spectra and color coordinates were measured.https://www.mdpi.com/2076-3417/12/2/793CMYKcolor coordinateseffect pigmentsprintingRGBspectral
spellingShingle Abigail Trujillo-Vazquez
Harrie Fuller
Susanne Klein
Carinna Parraman
The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects
Applied Sciences
CMYK
color coordinates
effect pigments
printing
RGB
spectral
title The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects
title_full The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects
title_fullStr The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects
title_full_unstemmed The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects
title_short The Amber Project: A Survey of Methods and Inks for the Reproduction of the Color of Translucent Objects
title_sort amber project a survey of methods and inks for the reproduction of the color of translucent objects
topic CMYK
color coordinates
effect pigments
printing
RGB
spectral
url https://www.mdpi.com/2076-3417/12/2/793
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