Photography, record without document

This paper proposes to think of another possible story told by photographs about the Revolt of 1924, understanding them as different narratives about the event in question. In this sense, it studies the transgression of the traditional concept of photography as a document of reality. It is observed...

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Main Author: Maria Cecilia Conte Carboni
Format: Article
Language:English
Published: Pontíficia Universidade Católica de São Paulo 2020-07-01
Series:Galáxia
Subjects:
Online Access:http://revistas.pucsp.br/galaxia/article/view/42527
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author Maria Cecilia Conte Carboni
author_facet Maria Cecilia Conte Carboni
author_sort Maria Cecilia Conte Carboni
collection DOAJ
description This paper proposes to think of another possible story told by photographs about the Revolt of 1924, understanding them as different narratives about the event in question. In this sense, it studies the transgression of the traditional concept of photography as a document of reality. It is observed that photography promotes another type of narrative that goes beyond the record as historical documentation. For this, the paper is based on concepts and reflections brought by various authors, such as Carlo Ginzburg on the concept of trail, François Dosse e Mauricio Lazzarato, about the concept of event, Joan Fontcuberta, Vilém Flusser and Walter Benjamin, who permeate the discussions about photography, Lucrécia D´Alessio Ferrara, on the issues related to communication, in addition to the bibliography on the Revolt of 1924.
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1982-2553
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spelling doaj.art-99710be0780447838a8c09996335c5462022-12-22T00:16:33ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532020-07-0104428842Photography, record without documentMaria Cecilia Conte Carboni0Universidade Paulista - UNIP Centro Universitário FAM - Faculdade das AmericasThis paper proposes to think of another possible story told by photographs about the Revolt of 1924, understanding them as different narratives about the event in question. In this sense, it studies the transgression of the traditional concept of photography as a document of reality. It is observed that photography promotes another type of narrative that goes beyond the record as historical documentation. For this, the paper is based on concepts and reflections brought by various authors, such as Carlo Ginzburg on the concept of trail, François Dosse e Mauricio Lazzarato, about the concept of event, Joan Fontcuberta, Vilém Flusser and Walter Benjamin, who permeate the discussions about photography, Lucrécia D´Alessio Ferrara, on the issues related to communication, in addition to the bibliography on the Revolt of 1924.http://revistas.pucsp.br/galaxia/article/view/42527fotografia, rastros, genealogia, acontecimento, revolta de 1924
spellingShingle Maria Cecilia Conte Carboni
Photography, record without document
Galáxia
fotografia, rastros, genealogia, acontecimento, revolta de 1924
title Photography, record without document
title_full Photography, record without document
title_fullStr Photography, record without document
title_full_unstemmed Photography, record without document
title_short Photography, record without document
title_sort photography record without document
topic fotografia, rastros, genealogia, acontecimento, revolta de 1924
url http://revistas.pucsp.br/galaxia/article/view/42527
work_keys_str_mv AT mariaceciliacontecarboni photographyrecordwithoutdocument