Inscription, Place, and Memory: Palimpsest Rock Art and the Evolution of Highland, Andean Social Landscapes in the Formative Period (1500 – 200 BC)
As more than a means of recalling, memory is an active cultural creation and landscape inscriptions construct memories by locating place-based historical narratives. To model memory in terms of engagement with a place through inscription, this study focuses on a complex palimpsest petroglyph panel a...
Main Author: | Gordon Ambrosino |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad de Los Andes
2019-07-01
|
Series: | Hart |
Subjects: | |
Online Access: | https://revistas.uniandes.edu.co/doi/full/10.25025/hart05.2019.07 |
Similar Items
-
Places-palimpsests of Saint Petersburg and their names
by: Katarzyna Janik-Borecka
Published: (2022-06-01) -
Identity as Palimpsest
by: Gregory Blair
Published: (2023-07-01) -
DEVELOPMENT OF THE PALIMPSEST CONCEPT IN ARCHITECTURAL THEORY AND PRACTICE
by: Danilova Elina V., et al.
Published: (2022-12-01) -
H.D.’s Palimpsest and a weaving practice
by: Jordana Infeld
Published: (2021-05-01) -
Digital Palimpsests: Mark in Trinity College Cambridge MS. O.9.27
by: Batovici Dan
Published: (2019-07-01)