Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas

In 1822, the German Romantic painter Johann Moritz Rugendas undertook his famed three-year journey across Brazil. Later, between 1831 and 1846, encouraged by Alexander von Humboldt and other Romantic artists, he would make a second trip through Mexico and South America. In 1832, Eugène Delacroix st...

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Main Author: Miguel Ángel Gaete
Format: Article
Language:English
Published: Consejo Superior de Investigaciones Científicas 2022-11-01
Series:Culture & History Digital Journal
Subjects:
Online Access:https://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/246
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author Miguel Ángel Gaete
author_facet Miguel Ángel Gaete
author_sort Miguel Ángel Gaete
collection DOAJ
description In 1822, the German Romantic painter Johann Moritz Rugendas undertook his famed three-year journey across Brazil. Later, between 1831 and 1846, encouraged by Alexander von Humboldt and other Romantic artists, he would make a second trip through Mexico and South America. In 1832, Eugène Delacroix started a six-month journey to Spain and North Africa as a part of a diplomatic mission. Both artists profusely translated their travels into words and rich images of tropical America and the Orient. Their paintings and illustrations of remote lands and people became milestones in their respective careers while being prime examples of how Europe viewed and perceived the rest of the world in the nineteenth century. In hindsight, they were not only mere agents and promoters of two crucial aesthetic trends of that time: Orientalism and Tropicality but the embodiment of two ways of seeing and imagining the Others. This article places these two artists against each other, contrasting the set of ideas and cultural preconceptions resting behind a sizeable number of paintings, drawings, and illustrations of their Eastern and South American experiences. The central argument is that Tropicality and Orientalism were comparable phenomena based on similar tropes and assumptions. It brings forward recurring themes of Rugendas and Delacroix’s works, such as the eroticisation of female bodies and the linkage between South America and the East with everlasting ideas of violence, adventures, and savageness to prove such an equivalence.
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spelling doaj.art-9a17070a63154750922ad5df58fab92b2023-01-17T13:57:01ZengConsejo Superior de Investigaciones CientíficasCulture & History Digital Journal2253-797X2022-11-0111210.3989/chdj.2022.022Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz RugendasMiguel Ángel Gaete0University of York In 1822, the German Romantic painter Johann Moritz Rugendas undertook his famed three-year journey across Brazil. Later, between 1831 and 1846, encouraged by Alexander von Humboldt and other Romantic artists, he would make a second trip through Mexico and South America. In 1832, Eugène Delacroix started a six-month journey to Spain and North Africa as a part of a diplomatic mission. Both artists profusely translated their travels into words and rich images of tropical America and the Orient. Their paintings and illustrations of remote lands and people became milestones in their respective careers while being prime examples of how Europe viewed and perceived the rest of the world in the nineteenth century. In hindsight, they were not only mere agents and promoters of two crucial aesthetic trends of that time: Orientalism and Tropicality but the embodiment of two ways of seeing and imagining the Others. This article places these two artists against each other, contrasting the set of ideas and cultural preconceptions resting behind a sizeable number of paintings, drawings, and illustrations of their Eastern and South American experiences. The central argument is that Tropicality and Orientalism were comparable phenomena based on similar tropes and assumptions. It brings forward recurring themes of Rugendas and Delacroix’s works, such as the eroticisation of female bodies and the linkage between South America and the East with everlasting ideas of violence, adventures, and savageness to prove such an equivalence. https://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/246RomanticismDelacroixRugendasSouth AmericaOrientalismTropicality
spellingShingle Miguel Ángel Gaete
Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas
Culture & History Digital Journal
Romanticism
Delacroix
Rugendas
South America
Orientalism
Tropicality
title Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas
title_full Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas
title_fullStr Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas
title_full_unstemmed Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas
title_short Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Delacroix and Johann Moritz Rugendas
title_sort territorial fantasies sexual nuances and savage energy orientalism and tropicality in eugene delacroix and johann moritz rugendas
topic Romanticism
Delacroix
Rugendas
South America
Orientalism
Tropicality
url https://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/246
work_keys_str_mv AT miguelangelgaete territorialfantasiessexualnuancesandsavageenergyorientalismandtropicalityineugenedelacroixandjohannmoritzrugendas