Les archéologues sur le terrain de l’art contemporain

This article is the place for sharing our experience of the dialogue that developped between archaeologists with contemporary art. This dialogue inscribed itself into a specific disciplinary context: archaeologists are now fully aware that the practice of archaeology is to communicate with their con...

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Main Author: Michaël Jasmin
Format: Article
Language:fra
Published: Editions de la Maison des Sciences de l'Homme 2013-12-01
Series:Les Nouvelles de l’Archéologie
Subjects:
Online Access:http://journals.openedition.org/nda/2266
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author Michaël Jasmin
author_facet Michaël Jasmin
author_sort Michaël Jasmin
collection DOAJ
description This article is the place for sharing our experience of the dialogue that developped between archaeologists with contemporary art. This dialogue inscribed itself into a specific disciplinary context: archaeologists are now fully aware that the practice of archaeology is to communicate with their contemporaneans, not with the people of the past to whom belong the objects they excavated. How and for which reasons, from the end of the 1990's, archaeologists developped an interest into contemporary art, questionning their methodology as well as the reason of their discipline? Their experiments opened new interrogtions in the profession through the use of analogy, excavation of contemporary sites, or the investment of the social field by archaeology. Which openings these creatives approaches allow in the archaeological discipline?
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spelling doaj.art-9a5502484be747dd80767e91cae4db2a2022-12-22T02:26:58ZfraEditions de la Maison des Sciences de l'HommeLes Nouvelles de l’Archéologie0242-77022425-19412013-12-01134394610.4000/nda.2266Les archéologues sur le terrain de l’art contemporainMichaël JasminThis article is the place for sharing our experience of the dialogue that developped between archaeologists with contemporary art. This dialogue inscribed itself into a specific disciplinary context: archaeologists are now fully aware that the practice of archaeology is to communicate with their contemporaneans, not with the people of the past to whom belong the objects they excavated. How and for which reasons, from the end of the 1990's, archaeologists developped an interest into contemporary art, questionning their methodology as well as the reason of their discipline? Their experiments opened new interrogtions in the profession through the use of analogy, excavation of contemporary sites, or the investment of the social field by archaeology. Which openings these creatives approaches allow in the archaeological discipline?http://journals.openedition.org/nda/2266contemporary archeologyartcreations sites interdisciplinary dialoguearchaeologists artists
spellingShingle Michaël Jasmin
Les archéologues sur le terrain de l’art contemporain
Les Nouvelles de l’Archéologie
contemporary archeology
art
creations sites interdisciplinary dialogue
archaeologists artists
title Les archéologues sur le terrain de l’art contemporain
title_full Les archéologues sur le terrain de l’art contemporain
title_fullStr Les archéologues sur le terrain de l’art contemporain
title_full_unstemmed Les archéologues sur le terrain de l’art contemporain
title_short Les archéologues sur le terrain de l’art contemporain
title_sort les archeologues sur le terrain de l art contemporain
topic contemporary archeology
art
creations sites interdisciplinary dialogue
archaeologists artists
url http://journals.openedition.org/nda/2266
work_keys_str_mv AT michaeljasmin lesarcheologuessurleterraindelartcontemporain