Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings

Recent scholarship addressing access to Homer’s epics during the Italian Renaissance has illuminated the unique importance of visual narratives for the dissemination and interpretation of material associated with the Trojan War and its heroes. This article looks at early fifteenth-century...

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Main Author: Margaret Franklin
Format: Article
Language:English
Published: MDPI AG 2018-10-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/7/4/107
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author Margaret Franklin
author_facet Margaret Franklin
author_sort Margaret Franklin
collection DOAJ
description Recent scholarship addressing access to Homer&#8217;s epics during the Italian Renaissance has illuminated the unique importance of visual narratives for the dissemination and interpretation of material associated with the Trojan War and its heroes. This article looks at early fifteenth-century images deriving from the Odyssey that were painted for marriage chests (<i>cassoni</i>) in the popular Florentine workshop of Apollonio di Giovanni. Focusing on Apollonio&#8217;s subnarrative of Odysseus&#8217; clash with the Cyclops Polyphemus (the <i>Cyclopeia</i>), I argue that Apollonio showcased this archetypal tale of a failed guest&#8315;host relationship to explore contemporary anxieties associated with marriage, an institution that figured prominently in the political and economic ambitions of fifteenth-century patriarchal families.
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spelling doaj.art-9a5c01be05f347dea994a9f28826cd822022-12-22T02:56:56ZengMDPI AGHumanities2076-07872018-10-017410710.3390/h7040107h7040107Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest PaintingsMargaret Franklin0James Pearson Duffy Department of Art and Art History, Wayne State University, Detroit, MI 48202, USARecent scholarship addressing access to Homer&#8217;s epics during the Italian Renaissance has illuminated the unique importance of visual narratives for the dissemination and interpretation of material associated with the Trojan War and its heroes. This article looks at early fifteenth-century images deriving from the Odyssey that were painted for marriage chests (<i>cassoni</i>) in the popular Florentine workshop of Apollonio di Giovanni. Focusing on Apollonio&#8217;s subnarrative of Odysseus&#8217; clash with the Cyclops Polyphemus (the <i>Cyclopeia</i>), I argue that Apollonio showcased this archetypal tale of a failed guest&#8315;host relationship to explore contemporary anxieties associated with marriage, an institution that figured prominently in the political and economic ambitions of fifteenth-century patriarchal families.https://www.mdpi.com/2076-0787/7/4/107cassoneApollonio di Giovanninarrative paintingRenaissanceHomerOdysseyOdysseusPolyphemusXeniahospitiummarriagedowry
spellingShingle Margaret Franklin
Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings
Humanities
cassone
Apollonio di Giovanni
narrative painting
Renaissance
Homer
Odyssey
Odysseus
Polyphemus
Xenia
hospitium
marriage
dowry
title Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings
title_full Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings
title_fullStr Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings
title_full_unstemmed Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings
title_short Odysseus and the Cyclops: Constructing Fear in Renaissance Marriage Chest Paintings
title_sort odysseus and the cyclops constructing fear in renaissance marriage chest paintings
topic cassone
Apollonio di Giovanni
narrative painting
Renaissance
Homer
Odyssey
Odysseus
Polyphemus
Xenia
hospitium
marriage
dowry
url https://www.mdpi.com/2076-0787/7/4/107
work_keys_str_mv AT margaretfranklin odysseusandthecyclopsconstructingfearinrenaissancemarriagechestpaintings