Engaging Black European Spaces and Postcolonial Dialogues through Public Art: Yinka Shonibare’s Nelson’s Ship in a Bottle
Yinka Shonibare’s Nelson’s Ship in a Bottle, installed on the Fourth Plinth of London’s Trafalgar Square from May 24, 2010, to January 30, 2012, temporarily transformed a space dominated by the 19th-century monumental sculpture of Lord Horatio Nelson, Britain’s most famous naval hero. When installed...
Main Author: | Shirey Heather |
---|---|
Format: | Article |
Language: | English |
Published: |
De Gruyter
2019-01-01
|
Series: | Open Cultural Studies |
Subjects: | |
Online Access: | https://doi.org/10.1515/culture-2019-0031 |
Similar Items
-
Le « Jardin d’Amour » de Yinka Shonibare au musée du quai Branly ou : quand l'« autre » s'y met
by: Bernard Müller
Published: (2007-10-01) -
Cultural Complexities and their Environment: Investigations of Code–Switching in Contemporary Visual Arts
by: Zoltán Somhegyi
Published: (2023-09-01) -
THE IMPORTANCE OF THE BASE IN SCULPTURE, ITS FORM AND ROLE
by: DOBROVOLSSCHI, OLEG
Published: (2022-09-01) -
Humor as aesthetics and identity gun in the works of Dany Laferrière and Yinka Shonibare
by: Eurídice Figueiredo
Published: (2005-12-01) -
‘The Whole Question of Plinths’ in Barbara Hepworth’s 1968 Tate Retrospective
by: Eleanor Clayton
Published: (2016-06-01)