Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance

The paper presents an analysis of “Brides on Tour” undertaken by the Italian performance artists Pippa Bacca and Silvia Moro on International Women’s Day (8th March) in 2008 and considers it as much as a symbolic act of sacrifice, performing for global politics as potent subject and woman as victim...

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Main Author: Ahu Antmen
Format: Article
Language:English
Published: AesthetixMS: Aesthetics Media Services 2010-01-01
Series:Rupkatha Journal on Interdisciplinary Studies in Humanities
Subjects:
Online Access:http://rupkatha.com/V2/n1/BridesonTourpippabacca.pdf
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author Ahu Antmen
author_facet Ahu Antmen
author_sort Ahu Antmen
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description The paper presents an analysis of “Brides on Tour” undertaken by the Italian performance artists Pippa Bacca and Silvia Moro on International Women’s Day (8th March) in 2008 and considers it as much as a symbolic act of sacrifice, performing for global politics as potent subject and woman as victimized object of local ‘petty crime’. A very important aspect of the performance is the way it blurs certain boundaries, as with feminist activity in general. In the performance, the writer detects a sense of solidarity by women for women on a global level, where the sacrifice reflected in the risk-taking aspect of hitchhiking symbolizes the past efforts of feminist activists who have at times put their lives in danger to better the living conditions of women through the ages and across nations.
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spelling doaj.art-9a93d59bd8a1448eae7dffb5eeee7c1d2022-12-21T20:28:52ZengAesthetixMS: Aesthetics Media ServicesRupkatha Journal on Interdisciplinary Studies in Humanities0975-29352010-01-01215964Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist PerformanceAhu AntmenThe paper presents an analysis of “Brides on Tour” undertaken by the Italian performance artists Pippa Bacca and Silvia Moro on International Women’s Day (8th March) in 2008 and considers it as much as a symbolic act of sacrifice, performing for global politics as potent subject and woman as victimized object of local ‘petty crime’. A very important aspect of the performance is the way it blurs certain boundaries, as with feminist activity in general. In the performance, the writer detects a sense of solidarity by women for women on a global level, where the sacrifice reflected in the risk-taking aspect of hitchhiking symbolizes the past efforts of feminist activists who have at times put their lives in danger to better the living conditions of women through the ages and across nations.http://rupkatha.com/V2/n1/BridesonTourpippabacca.pdfBrides on TourPippa Baccafeministperformance
spellingShingle Ahu Antmen
Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
Rupkatha Journal on Interdisciplinary Studies in Humanities
Brides on Tour
Pippa Bacca
feminist
performance
title Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
title_full Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
title_fullStr Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
title_full_unstemmed Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
title_short Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance
title_sort performing and dying in the name of world peace from metaphor to real life in feminist performance
topic Brides on Tour
Pippa Bacca
feminist
performance
url http://rupkatha.com/V2/n1/BridesonTourpippabacca.pdf
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