‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘

This article interrogates the historiography of early nineteenth-century paintings of Irish life and offers some suggestions as to how historical approaches to this type of painting can be re-examined and reassessed. By using one case study (The Patron of the Seven Churches by Joseph Peacock) it inv...

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Main Author: Mary Jane Boland
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2013-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:http://arthistoriography.files.wordpress.com/2013/12/boland.pdf
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author Mary Jane Boland
author_facet Mary Jane Boland
author_sort Mary Jane Boland
collection DOAJ
description This article interrogates the historiography of early nineteenth-century paintings of Irish life and offers some suggestions as to how historical approaches to this type of painting can be re-examined and reassessed. By using one case study (The Patron of the Seven Churches by Joseph Peacock) it investigates the perception of the everyday aesthetic amongst historians, critics and audiences over the past two centuries and emphasizes the contribution that an interdisciplinary approach can make to scholarship in this area.
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spelling doaj.art-9a97bf214d644e318b0b7fee42ea9d652022-12-22T01:32:58ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522013-12-0199MJB1‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘Mary Jane BolandThis article interrogates the historiography of early nineteenth-century paintings of Irish life and offers some suggestions as to how historical approaches to this type of painting can be re-examined and reassessed. By using one case study (The Patron of the Seven Churches by Joseph Peacock) it investigates the perception of the everyday aesthetic amongst historians, critics and audiences over the past two centuries and emphasizes the contribution that an interdisciplinary approach can make to scholarship in this area.http://arthistoriography.files.wordpress.com/2013/12/boland.pdfgenre paintingnineteenth-century artIrish historyinterdisciplinary methodologyart in Ireland
spellingShingle Mary Jane Boland
‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘
Journal of Art Historiography
genre painting
nineteenth-century art
Irish history
interdisciplinary methodology
art in Ireland
title ‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘
title_full ‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘
title_fullStr ‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘
title_full_unstemmed ‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘
title_short ‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland‘
title_sort a troublesome genre histories definitions and perceptions of paintings of everyday life from early nineteenth century ireland
topic genre painting
nineteenth-century art
Irish history
interdisciplinary methodology
art in Ireland
url http://arthistoriography.files.wordpress.com/2013/12/boland.pdf
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