Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound

Ezra Pound’s Cantos are an encyclopedic and polyglot work, which alludes to very different cultures, and yet is a milestone of the poetic history of the United States. This article provides a reading of The Cantos in the light of a particular tension between linguistic cosmopolitanism and patriotism...

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Main Author: Charlotte Estrade
Format: Article
Language:English
Published: Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine
Series:L'Ordinaire des Amériques
Subjects:
Online Access:https://journals.openedition.org/orda/3688
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author Charlotte Estrade
author_facet Charlotte Estrade
author_sort Charlotte Estrade
collection DOAJ
description Ezra Pound’s Cantos are an encyclopedic and polyglot work, which alludes to very different cultures, and yet is a milestone of the poetic history of the United States. This article provides a reading of The Cantos in the light of a particular tension between linguistic cosmopolitanism and patriotism, between Pound’s voluntary exile in Europe and his wish to write a distinctively American poetry; how can the long poem be cosmopolitan in the linguistic and cultural ideal it presents, while at the same time displaying violently fascist and antisemitic passages. This article tries to make sense of Pound’s paradoxes and their implications. It is obvious that Pound, as a voluntary exile who was often on the move through Europe is linguistically and geographically cosmopolitan even when trying to produce American poetry. Is it possible to reconcile a form of cosmopolitanism with a totalitarian ideology? The American poetic renewal inaugurated by Pound is born precisely and paradoxically from the decentered position that fostered his fascist stance.
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spelling doaj.art-9afea7576873497386830d54dd7539fe2024-02-14T14:56:31ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-009522310.4000/orda.3688Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra PoundCharlotte EstradeEzra Pound’s Cantos are an encyclopedic and polyglot work, which alludes to very different cultures, and yet is a milestone of the poetic history of the United States. This article provides a reading of The Cantos in the light of a particular tension between linguistic cosmopolitanism and patriotism, between Pound’s voluntary exile in Europe and his wish to write a distinctively American poetry; how can the long poem be cosmopolitan in the linguistic and cultural ideal it presents, while at the same time displaying violently fascist and antisemitic passages. This article tries to make sense of Pound’s paradoxes and their implications. It is obvious that Pound, as a voluntary exile who was often on the move through Europe is linguistically and geographically cosmopolitan even when trying to produce American poetry. Is it possible to reconcile a form of cosmopolitanism with a totalitarian ideology? The American poetic renewal inaugurated by Pound is born precisely and paradoxically from the decentered position that fostered his fascist stance.https://journals.openedition.org/orda/3688cosmopolitanismEzra Poundmodernist poetrypatriotismfascism
spellingShingle Charlotte Estrade
Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound
L'Ordinaire des Amériques
cosmopolitanism
Ezra Pound
modernist poetry
patriotism
fascism
title Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound
title_full Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound
title_fullStr Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound
title_full_unstemmed Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound
title_short Pour un « American Risorgimento » : cosmopolitisme et fascisme chez Ezra Pound
title_sort pour un american risorgimento cosmopolitisme et fascisme chez ezra pound
topic cosmopolitanism
Ezra Pound
modernist poetry
patriotism
fascism
url https://journals.openedition.org/orda/3688
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