Dovremmo aver paura del “Quadrato nero”?
Kazimir Malevich’s famous Black Square (1915) can be considered the emblem of the Russian avantgarde in its First historical phase; its poetic equivalent is the cubo-futurists’ zaum’. The purity of form in the ‘objectless’ representation appeared then as the premise of a new perception of the world...
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| Format: | Article |
| Language: | Belarusian |
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Aracne editrice
2023-01-01
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| Series: | eSamizdat |
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| Online Access: | https://www.esamizdat.it/ojs/index.php/eS/article/view/156 |
| _version_ | 1811168987886649344 |
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| author | Jean-Philippe Jaccard |
| author_facet | Jean-Philippe Jaccard |
| author_sort | Jean-Philippe Jaccard |
| collection | DOAJ |
| description | Kazimir Malevich’s famous Black Square (1915) can be considered the emblem of the Russian avantgarde in its First historical phase; its poetic equivalent is the cubo-futurists’ zaum’. The purity of form in the ‘objectless’ representation appeared then as the premise of a new perception of the world and of its possible reconstruction from zero with infinite potential. The work of Daniil Kharms is fully in line with this utopian tradition but will gradually come to show its limits and dangers. In the thirties his work articulates the threat that nothingness poses to the original purity, when ‘void’ [pustota] rhymes with ‘purity’ [chistota]. |
| first_indexed | 2024-04-10T16:34:46Z |
| format | Article |
| id | doaj.art-9b4531467eda4f4d87925febd67e146d |
| institution | Directory Open Access Journal |
| issn | 1723-4042 |
| language | Belarusian |
| last_indexed | 2024-04-10T16:34:46Z |
| publishDate | 2023-01-01 |
| publisher | Aracne editrice |
| record_format | Article |
| series | eSamizdat |
| spelling | doaj.art-9b4531467eda4f4d87925febd67e146d2023-02-08T13:54:29ZbelAracne editriceeSamizdat1723-40422023-01-01153947173Dovremmo aver paura del “Quadrato nero”?Jean-Philippe Jaccard0University of GenevaKazimir Malevich’s famous Black Square (1915) can be considered the emblem of the Russian avantgarde in its First historical phase; its poetic equivalent is the cubo-futurists’ zaum’. The purity of form in the ‘objectless’ representation appeared then as the premise of a new perception of the world and of its possible reconstruction from zero with infinite potential. The work of Daniil Kharms is fully in line with this utopian tradition but will gradually come to show its limits and dangers. In the thirties his work articulates the threat that nothingness poses to the original purity, when ‘void’ [pustota] rhymes with ‘purity’ [chistota].https://www.esamizdat.it/ojs/index.php/eS/article/view/156russian avant-gardesuprematismliterature of the absurdmalevichkharms |
| spellingShingle | Jean-Philippe Jaccard Dovremmo aver paura del “Quadrato nero”? eSamizdat russian avant-garde suprematism literature of the absurd malevich kharms |
| title | Dovremmo aver paura del “Quadrato nero”? |
| title_full | Dovremmo aver paura del “Quadrato nero”? |
| title_fullStr | Dovremmo aver paura del “Quadrato nero”? |
| title_full_unstemmed | Dovremmo aver paura del “Quadrato nero”? |
| title_short | Dovremmo aver paura del “Quadrato nero”? |
| title_sort | dovremmo aver paura del quadrato nero |
| topic | russian avant-garde suprematism literature of the absurd malevich kharms |
| url | https://www.esamizdat.it/ojs/index.php/eS/article/view/156 |
| work_keys_str_mv | AT jeanphilippejaccard dovremmoaverpauradelquadratonero |