Anamorphosis, its history and evolution
The illusionist painting has always fascinated human beings. The art of trompe l’oeil has been generally considered as an anamorphosis if it is painted over curved or flat surfaces, oblique with respect to the viewer, so it is correctly seen only from a certain point of view, out of which it is seen...
| Main Authors: | , , |
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| Format: | Article |
| Language: | Spanish |
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Universitat Politècnica de València
2014-05-01
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| Series: | EGA |
| Subjects: | |
| Online Access: | https://polipapers.upv.es/index.php/EGA/article/view/2184 |
| _version_ | 1811286572304171008 |
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| author | Pedro Cabezos Bernal Juan Cisneros Vivó Felipe Soler Sanz |
| author_facet | Pedro Cabezos Bernal Juan Cisneros Vivó Felipe Soler Sanz |
| author_sort | Pedro Cabezos Bernal |
| collection | DOAJ |
| description | The illusionist painting has always fascinated human beings. The art of trompe l’oeil has been generally considered as an anamorphosis if it is painted over curved or flat surfaces, oblique with respect to the viewer, so it is correctly seen only from a certain point of view, out of which it is seen distorted and the illusory effect is lost. This article summarizes the history of anamorphosis, its different kinds and techniques, described by writers of the Baroque. Several examples, made by the main figures of this discipline throughout history, are analysed to see the evolution up to the present day, where technological advances allow new applications such as those of virtual and augmented reality, as well as stereoscopic anamorphosis. |
| first_indexed | 2024-04-13T03:03:19Z |
| format | Article |
| id | doaj.art-9b570748b8fb444aa524a1d59fe5fdb8 |
| institution | Directory Open Access Journal |
| issn | 1133-6137 2254-6103 |
| language | Spanish |
| last_indexed | 2024-04-13T03:03:19Z |
| publishDate | 2014-05-01 |
| publisher | Universitat Politècnica de València |
| record_format | Article |
| series | EGA |
| spelling | doaj.art-9b570748b8fb444aa524a1d59fe5fdb82022-12-22T03:05:22ZspaUniversitat Politècnica de ValènciaEGA1133-61372254-61032014-05-01192314816110.4995/ega.2014.21842269Anamorphosis, its history and evolutionPedro Cabezos Bernal0Juan Cisneros Vivó1Felipe Soler SanzUniversitat Polit?nica de Val?ciaUniversitat Polit?nica de Val?ciaThe illusionist painting has always fascinated human beings. The art of trompe l’oeil has been generally considered as an anamorphosis if it is painted over curved or flat surfaces, oblique with respect to the viewer, so it is correctly seen only from a certain point of view, out of which it is seen distorted and the illusory effect is lost. This article summarizes the history of anamorphosis, its different kinds and techniques, described by writers of the Baroque. Several examples, made by the main figures of this discipline throughout history, are analysed to see the evolution up to the present day, where technological advances allow new applications such as those of virtual and augmented reality, as well as stereoscopic anamorphosis.https://polipapers.upv.es/index.php/EGA/article/view/2184anamorfosis, trampantojo, quadraturismo, anaglifos |
| spellingShingle | Pedro Cabezos Bernal Juan Cisneros Vivó Felipe Soler Sanz Anamorphosis, its history and evolution EGA anamorfosis, trampantojo, quadraturismo, anaglifos |
| title | Anamorphosis, its history and evolution |
| title_full | Anamorphosis, its history and evolution |
| title_fullStr | Anamorphosis, its history and evolution |
| title_full_unstemmed | Anamorphosis, its history and evolution |
| title_short | Anamorphosis, its history and evolution |
| title_sort | anamorphosis its history and evolution |
| topic | anamorfosis, trampantojo, quadraturismo, anaglifos |
| url | https://polipapers.upv.es/index.php/EGA/article/view/2184 |
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