The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite

The personification of Paidia is represented in Attic pottery between 430 and 390 BC in the sphere of two divinities, Dionysus and Aphrodite, and with two different iconographies. In the Dionysian world, she is a maenad and often appears in the thiasos, but also in mythological accounts such as the...

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Main Author: Giovanna Camponetti
Format: Article
Language:fra
Published: Presses universitaires du Midi 2022-10-01
Series:Pallas
Subjects:
Online Access:http://journals.openedition.org/pallas/25069
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author Giovanna Camponetti
author_facet Giovanna Camponetti
author_sort Giovanna Camponetti
collection DOAJ
description The personification of Paidia is represented in Attic pottery between 430 and 390 BC in the sphere of two divinities, Dionysus and Aphrodite, and with two different iconographies. In the Dionysian world, she is a maenad and often appears in the thiasos, but also in mythological accounts such as the Gigantomachy. She represents the personified concept of the playful experience of dance, music, and theatrical performance. In the sphere of Aphrodite, Paidia is a young woman, richly dressed; she appears in domestic or ritual scenes, acting in view of the wedding preparations. She gives necklaces and symbolises the young woman who leaves the world of childish play to become a gynè. The representations are closely linked to the Athenian cult shrines of Aphrodite, Eukleia and Eunomia to which precise references are made.
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spelling doaj.art-9bbe8f1d3ab9415b9af1c8fa0b4ce9d82023-10-03T13:02:05ZfraPresses universitaires du MidiPallas0031-03872272-76392022-10-0111932134810.4000/pallas.25069The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and AphroditeGiovanna CamponettiThe personification of Paidia is represented in Attic pottery between 430 and 390 BC in the sphere of two divinities, Dionysus and Aphrodite, and with two different iconographies. In the Dionysian world, she is a maenad and often appears in the thiasos, but also in mythological accounts such as the Gigantomachy. She represents the personified concept of the playful experience of dance, music, and theatrical performance. In the sphere of Aphrodite, Paidia is a young woman, richly dressed; she appears in domestic or ritual scenes, acting in view of the wedding preparations. She gives necklaces and symbolises the young woman who leaves the world of childish play to become a gynè. The representations are closely linked to the Athenian cult shrines of Aphrodite, Eukleia and Eunomia to which precise references are made.http://journals.openedition.org/pallas/25069AphroditeDionysosEukleiaEumoniamusicpersonification
spellingShingle Giovanna Camponetti
The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite
Pallas
Aphrodite
Dionysos
Eukleia
Eumonia
music
personification
title The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite
title_full The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite
title_fullStr The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite
title_full_unstemmed The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite
title_short The Personification of Paidia in Attic Pottery. The Playful Experience in the World of Dionysus and Aphrodite
title_sort personification of paidia in attic pottery the playful experience in the world of dionysus and aphrodite
topic Aphrodite
Dionysos
Eukleia
Eumonia
music
personification
url http://journals.openedition.org/pallas/25069
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