From Word to Thread: Cecilia Vicuña’s Fluid Textures
In the book La realidade es una línea (1994), Cecilia Vicuña (b. 1947), Chilean poet and artist, synthesizes one of the most powerful metaphors of her visual and poetic work: the confluence between thread (object) and line (representation), which weave a complex fabric made of multiple experiences a...
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Format: | Article |
Language: | Spanish |
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Universidade Federal de Santa Catarina
2019-05-01
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Series: | Revista Estudos Feministas |
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Online Access: | https://periodicos.ufsc.br/index.php/ref/article/view/58982 |
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author | Márcia Oliveira |
author_facet | Márcia Oliveira |
author_sort | Márcia Oliveira |
collection | DOAJ |
description | In the book La realidade es una línea (1994), Cecilia Vicuña (b. 1947), Chilean poet and artist, synthesizes one of the most powerful metaphors of her visual and poetic work: the confluence between thread (object) and line (representation), which weave a complex fabric made of multiple experiences and questionings that cross geographies and artistic genres. If weaving, and its confluence with word, sound and image, is one of the main processes explored by Vicuña (both in real and metaphorical terms), in this brief article I intend to explore how this process is expanded in the book, here seen as a place of deterritoralization, fluidity, becoming – but also of dissidence. |
first_indexed | 2024-12-22T02:19:57Z |
format | Article |
id | doaj.art-9bd227f68faf4fd18495eabe9e5e858e |
institution | Directory Open Access Journal |
issn | 0104-026X 1806-9584 |
language | Spanish |
last_indexed | 2024-12-22T02:19:57Z |
publishDate | 2019-05-01 |
publisher | Universidade Federal de Santa Catarina |
record_format | Article |
series | Revista Estudos Feministas |
spelling | doaj.art-9bd227f68faf4fd18495eabe9e5e858e2022-12-21T18:42:09ZspaUniversidade Federal de Santa CatarinaRevista Estudos Feministas0104-026X1806-95842019-05-0127110.1590/1806-9584-2019v27n15898230920From Word to Thread: Cecilia Vicuña’s Fluid TexturesMárcia Oliveira0CEHUMIn the book La realidade es una línea (1994), Cecilia Vicuña (b. 1947), Chilean poet and artist, synthesizes one of the most powerful metaphors of her visual and poetic work: the confluence between thread (object) and line (representation), which weave a complex fabric made of multiple experiences and questionings that cross geographies and artistic genres. If weaving, and its confluence with word, sound and image, is one of the main processes explored by Vicuña (both in real and metaphorical terms), in this brief article I intend to explore how this process is expanded in the book, here seen as a place of deterritoralization, fluidity, becoming – but also of dissidence.https://periodicos.ufsc.br/index.php/ref/article/view/58982Cecilia Vicuñapalavrafiolivros de artista |
spellingShingle | Márcia Oliveira From Word to Thread: Cecilia Vicuña’s Fluid Textures Revista Estudos Feministas Cecilia Vicuña palavra fio livros de artista |
title | From Word to Thread: Cecilia Vicuña’s Fluid Textures |
title_full | From Word to Thread: Cecilia Vicuña’s Fluid Textures |
title_fullStr | From Word to Thread: Cecilia Vicuña’s Fluid Textures |
title_full_unstemmed | From Word to Thread: Cecilia Vicuña’s Fluid Textures |
title_short | From Word to Thread: Cecilia Vicuña’s Fluid Textures |
title_sort | from word to thread cecilia vicuna s fluid textures |
topic | Cecilia Vicuña palavra fio livros de artista |
url | https://periodicos.ufsc.br/index.php/ref/article/view/58982 |
work_keys_str_mv | AT marciaoliveira fromwordtothreadceciliavicunasfluidtextures |