Che cos’è un “oggetto musicale”?
The discussion about the uses of the concept “musical object” highlights the difficulties of the project – put forward by Pierre Schaeffer (1966) – of basing its definition on the idea of “objet sonore”. Moreover, the proposal to assimilate the functions of the “objet sonore” to those fulfilled by a...
| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Rosenberg & Sellier
2012-07-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/1461 |
| _version_ | 1818151460286758912 |
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| author | Alessandro Arbo |
| author_facet | Alessandro Arbo |
| author_sort | Alessandro Arbo |
| collection | DOAJ |
| description | The discussion about the uses of the concept “musical object” highlights the difficulties of the project – put forward by Pierre Schaeffer (1966) – of basing its definition on the idea of “objet sonore”. Moreover, the proposal to assimilate the functions of the “objet sonore” to those fulfilled by a “musical work” turns out to be no less problematic. A new definition is proposed: a musical object is a social object resulting from the inscription of perceived sound(s), or of the acoustic event(s)/object(s), in a reference system recognized as “musical” by a group of (minimally) two people. |
| first_indexed | 2024-12-11T13:39:10Z |
| format | Article |
| id | doaj.art-9bf762a2c1bf416c98f49474b3015c86 |
| institution | Directory Open Access Journal |
| issn | 0035-6212 2421-5864 |
| language | English |
| last_indexed | 2024-12-11T13:39:10Z |
| publishDate | 2012-07-01 |
| publisher | Rosenberg & Sellier |
| record_format | Article |
| series | Rivista di Estetica |
| spelling | doaj.art-9bf762a2c1bf416c98f49474b3015c862022-12-22T01:04:52ZengRosenberg & SellierRivista di Estetica0035-62122421-58642012-07-015092710.4000/estetica.1461Che cos’è un “oggetto musicale”?Alessandro ArboThe discussion about the uses of the concept “musical object” highlights the difficulties of the project – put forward by Pierre Schaeffer (1966) – of basing its definition on the idea of “objet sonore”. Moreover, the proposal to assimilate the functions of the “objet sonore” to those fulfilled by a “musical work” turns out to be no less problematic. A new definition is proposed: a musical object is a social object resulting from the inscription of perceived sound(s), or of the acoustic event(s)/object(s), in a reference system recognized as “musical” by a group of (minimally) two people.http://journals.openedition.org/estetica/1461 |
| spellingShingle | Alessandro Arbo Che cos’è un “oggetto musicale”? Rivista di Estetica |
| title | Che cos’è un “oggetto musicale”? |
| title_full | Che cos’è un “oggetto musicale”? |
| title_fullStr | Che cos’è un “oggetto musicale”? |
| title_full_unstemmed | Che cos’è un “oggetto musicale”? |
| title_short | Che cos’è un “oggetto musicale”? |
| title_sort | che cos e un oggetto musicale |
| url | http://journals.openedition.org/estetica/1461 |
| work_keys_str_mv | AT alessandroarbo checoseunoggettomusicale |