Conceptual Models for Intangible Art
Formal ontologies have been fruitfully employed to describe and document cultural heritage with the twofold goals of providing explicit and shared conceptual models of cultural heritage and of making documentation directly available to men and machines on the Web in a semantic, self-explanatory form...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
| Published: |
Accademia University Press
2014-12-01
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| Series: | Mimesis Journal |
| Subjects: | |
| Online Access: | http://journals.openedition.org/mimesis/690 |
| _version_ | 1818383133046734848 |
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| author | Antonio Lieto Rossana Damiano Vanessa Michielon |
| author_facet | Antonio Lieto Rossana Damiano Vanessa Michielon |
| author_sort | Antonio Lieto |
| collection | DOAJ |
| description | Formal ontologies have been fruitfully employed to describe and document cultural heritage with the twofold goals of providing explicit and shared conceptual models of cultural heritage and of making documentation directly available to men and machines on the Web in a semantic, self-explanatory format. In this paper, we discuss the suitability of formal ontologies to describe the traits that characterize the case studies of the Invisibilia Project, ranging from the impermanent, ‘variable’ nature of installations and performances to the tight integration with the urban context typical of public art. In particular, we consider the suitability of the current standards for Invisibilia and we illustrate some extensions that are required to grasp the peculiar traits of the project corpus. |
| first_indexed | 2024-12-14T03:01:31Z |
| format | Article |
| id | doaj.art-9bfbcc37ba5b4bfbbadb4ab40d062bbd |
| institution | Directory Open Access Journal |
| issn | 2279-7203 |
| language | English |
| last_indexed | 2024-12-14T03:01:31Z |
| publishDate | 2014-12-01 |
| publisher | Accademia University Press |
| record_format | Article |
| series | Mimesis Journal |
| spelling | doaj.art-9bfbcc37ba5b4bfbbadb4ab40d062bbd2022-12-21T23:19:30ZengAccademia University PressMimesis Journal2279-72032014-12-0132707810.4000/mimesis.690Conceptual Models for Intangible ArtAntonio LietoRossana DamianoVanessa MichielonFormal ontologies have been fruitfully employed to describe and document cultural heritage with the twofold goals of providing explicit and shared conceptual models of cultural heritage and of making documentation directly available to men and machines on the Web in a semantic, self-explanatory format. In this paper, we discuss the suitability of formal ontologies to describe the traits that characterize the case studies of the Invisibilia Project, ranging from the impermanent, ‘variable’ nature of installations and performances to the tight integration with the urban context typical of public art. In particular, we consider the suitability of the current standards for Invisibilia and we illustrate some extensions that are required to grasp the peculiar traits of the project corpus.http://journals.openedition.org/mimesis/690Arte immaterialeArte PubblicaOntologySemantic annotation |
| spellingShingle | Antonio Lieto Rossana Damiano Vanessa Michielon Conceptual Models for Intangible Art Mimesis Journal Arte immateriale Arte Pubblica Ontology Semantic annotation |
| title | Conceptual Models for Intangible Art |
| title_full | Conceptual Models for Intangible Art |
| title_fullStr | Conceptual Models for Intangible Art |
| title_full_unstemmed | Conceptual Models for Intangible Art |
| title_short | Conceptual Models for Intangible Art |
| title_sort | conceptual models for intangible art |
| topic | Arte immateriale Arte Pubblica Ontology Semantic annotation |
| url | http://journals.openedition.org/mimesis/690 |
| work_keys_str_mv | AT antoniolieto conceptualmodelsforintangibleart AT rossanadamiano conceptualmodelsforintangibleart AT vanessamichielon conceptualmodelsforintangibleart |