Greece in Shelley’s Laon and Cythna

This paper offers a close reading of the presence of Greece in Laon and Cythna (1817), Shelley’s longest narrative poem and known also for the revised version The Revolt of Islam (1818). Shelley’s idealisation of Greece informs crucial aspects of Laon and Cythna including description, theme and hist...

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Main Author: Lawrence Masakazu Yoneta
Format: Article
Language:English
Published: Athens Institute for Education and Research 2014-07-01
Series:Athens Journal of Humanities & Arts
Online Access:http://www.atiner.gr/journals/humanities/2014-1-3-3-Yoneta.pdf
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author Lawrence Masakazu Yoneta
author_facet Lawrence Masakazu Yoneta
author_sort Lawrence Masakazu Yoneta
collection DOAJ
description This paper offers a close reading of the presence of Greece in Laon and Cythna (1817), Shelley’s longest narrative poem and known also for the revised version The Revolt of Islam (1818). Shelley’s idealisation of Greece informs crucial aspects of Laon and Cythna including description, theme and historical framework. Although the setting of the story is in modern Greece and Turkey, local colour is limited in favour of abstract representation to lend a universal character to the heroic idealism unfolding therein. Laon’s conversion to the cause of liberty among the ruins of national progenitors represents a process of spiritual inheritance in which Greece figures as a place where past achievements bear contemporary political relevance. Classical Athens is situated as the first manifestation of the transcendental Spirit of Good in a Manichaean dualistic metaphysics of history. Greek antiquity forms the historical framework into which Laon’s and Cythna’s heroism is incorporated as one evolutionary stage of the alternate predominance of Good and Evil.
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spelling doaj.art-9bfe8a0c44e9472f89b1b3a0d7ed121b2022-12-22T04:08:18ZengAthens Institute for Education and ResearchAthens Journal of Humanities & Arts2241-77022014-07-011321522410.30958/ajha.1-3-3Greece in Shelley’s Laon and CythnaLawrence Masakazu Yoneta0PhD Candidate, University of Bristol, UKThis paper offers a close reading of the presence of Greece in Laon and Cythna (1817), Shelley’s longest narrative poem and known also for the revised version The Revolt of Islam (1818). Shelley’s idealisation of Greece informs crucial aspects of Laon and Cythna including description, theme and historical framework. Although the setting of the story is in modern Greece and Turkey, local colour is limited in favour of abstract representation to lend a universal character to the heroic idealism unfolding therein. Laon’s conversion to the cause of liberty among the ruins of national progenitors represents a process of spiritual inheritance in which Greece figures as a place where past achievements bear contemporary political relevance. Classical Athens is situated as the first manifestation of the transcendental Spirit of Good in a Manichaean dualistic metaphysics of history. Greek antiquity forms the historical framework into which Laon’s and Cythna’s heroism is incorporated as one evolutionary stage of the alternate predominance of Good and Evil.http://www.atiner.gr/journals/humanities/2014-1-3-3-Yoneta.pdf
spellingShingle Lawrence Masakazu Yoneta
Greece in Shelley’s Laon and Cythna
Athens Journal of Humanities & Arts
title Greece in Shelley’s Laon and Cythna
title_full Greece in Shelley’s Laon and Cythna
title_fullStr Greece in Shelley’s Laon and Cythna
title_full_unstemmed Greece in Shelley’s Laon and Cythna
title_short Greece in Shelley’s Laon and Cythna
title_sort greece in shelley s laon and cythna
url http://www.atiner.gr/journals/humanities/2014-1-3-3-Yoneta.pdf
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