Oratorio in Rome from XVII to XVIII century
The new vocal-instrumental music type that actively bloomed in the period of baroque came into being partly by the activity of Saint Philip Neri. He organized services associated with singing laudi in a building specially intended for that purpose - named in Italian oratorio. Primarily the term “ora...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Polskie Towarzystwo Teologiczne
2012-03-01
|
| Series: | Ruch Biblijny i Liturgiczny |
| Subjects: | |
| Online Access: | https://rbl.ptt.net.pl/index.php/RBL/article/view/83 |
| _version_ | 1828228541302439936 |
|---|---|
| author | Dariusz Smolarek |
| author_facet | Dariusz Smolarek |
| author_sort | Dariusz Smolarek |
| collection | DOAJ |
| description | The new vocal-instrumental music type that actively bloomed in the period of baroque came into being partly by the activity of Saint Philip Neri. He organized services associated with singing laudi in a building specially intended for that purpose - named in Italian oratorio. Primarily the term “oratorio”, meant a prayer space, later was related to non-liturgical and musical services that were performed there. Laudi spirituali were gradually replaced with madrigali spirituali and motetti concertati that often had the character of dialog singing. From these forms in the first half of XVII century formed two types of oratorios: folk (oratorio volgare) and latin (oratorio latino). The content of compositions was non-liturgical religious text that was inspired by the Bible featured: histories of Old Testament, figures, New Testament events and parables, and also allegoric dialogs between Christ and a Christian soul. The singers in oratorio were accompanied by orchestra (often choir) performed particular dramatic roles and did not use means of actor playing. Oratorio as a carrier of religious content served liturgy and became its certain fulfillment. |
| first_indexed | 2024-04-12T18:22:46Z |
| format | Article |
| id | doaj.art-9c11c7af47944b2a9859acf8d06b3a57 |
| institution | Directory Open Access Journal |
| issn | 0209-0872 2391-8497 |
| language | deu |
| last_indexed | 2024-04-12T18:22:46Z |
| publishDate | 2012-03-01 |
| publisher | Polskie Towarzystwo Teologiczne |
| record_format | Article |
| series | Ruch Biblijny i Liturgiczny |
| spelling | doaj.art-9c11c7af47944b2a9859acf8d06b3a572022-12-22T03:21:23ZdeuPolskie Towarzystwo TeologiczneRuch Biblijny i Liturgiczny0209-08722391-84972012-03-0165110.21906/rbl.8383Oratorio in Rome from XVII to XVIII centuryDariusz Smolarek0Katolicki Uniwersytet Lubelski Jana Pawła IIThe new vocal-instrumental music type that actively bloomed in the period of baroque came into being partly by the activity of Saint Philip Neri. He organized services associated with singing laudi in a building specially intended for that purpose - named in Italian oratorio. Primarily the term “oratorio”, meant a prayer space, later was related to non-liturgical and musical services that were performed there. Laudi spirituali were gradually replaced with madrigali spirituali and motetti concertati that often had the character of dialog singing. From these forms in the first half of XVII century formed two types of oratorios: folk (oratorio volgare) and latin (oratorio latino). The content of compositions was non-liturgical religious text that was inspired by the Bible featured: histories of Old Testament, figures, New Testament events and parables, and also allegoric dialogs between Christ and a Christian soul. The singers in oratorio were accompanied by orchestra (often choir) performed particular dramatic roles and did not use means of actor playing. Oratorio as a carrier of religious content served liturgy and became its certain fulfillment.https://rbl.ptt.net.pl/index.php/RBL/article/view/83Filip Neri, esercizi spirituali, laudi spirituali, oratorium, kompozytor, Rzym, XVI wiek, XVII wiek, XVIII wiek |
| spellingShingle | Dariusz Smolarek Oratorio in Rome from XVII to XVIII century Ruch Biblijny i Liturgiczny Filip Neri, esercizi spirituali, laudi spirituali, oratorium, kompozytor, Rzym, XVI wiek, XVII wiek, XVIII wiek |
| title | Oratorio in Rome from XVII to XVIII century |
| title_full | Oratorio in Rome from XVII to XVIII century |
| title_fullStr | Oratorio in Rome from XVII to XVIII century |
| title_full_unstemmed | Oratorio in Rome from XVII to XVIII century |
| title_short | Oratorio in Rome from XVII to XVIII century |
| title_sort | oratorio in rome from xvii to xviii century |
| topic | Filip Neri, esercizi spirituali, laudi spirituali, oratorium, kompozytor, Rzym, XVI wiek, XVII wiek, XVIII wiek |
| url | https://rbl.ptt.net.pl/index.php/RBL/article/view/83 |
| work_keys_str_mv | AT dariuszsmolarek oratorioinromefromxviitoxviiicentury |