Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages

The objective of this paper is to put forward possible relationships of Bersuire's Ovidius moralizatus with other medieval works departing from two illustrations that accompany passages of the text in two different manuscripts: Bergamo, Biblioteca Civica Angelo Mai, Cassaforte 3.4, and Treviso,...

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Main Author: Pablo Piqueras Yagüe
Format: Article
Language:English
Published: eum edizioni università di macerata 2024-01-01
Series:Il Capitale Culturale: Studies on the Value of Cultural Heritage
Online Access:http://riviste.unimc.it/index.php/cap-cult/article/view/3271
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author Pablo Piqueras Yagüe
author_facet Pablo Piqueras Yagüe
author_sort Pablo Piqueras Yagüe
collection DOAJ
description The objective of this paper is to put forward possible relationships of Bersuire's Ovidius moralizatus with other medieval works departing from two illustrations that accompany passages of the text in two different manuscripts: Bergamo, Biblioteca Civica Angelo Mai, Cassaforte 3.4, and Treviso, Biblioteca Comunale, 344. Therefore, analyzing the texts on which the two illustrations are based, we try to determine which works can be the source for them, and we also try to understand the figures represented in the illustrations. So, the figure of Vanity from the Treviso manuscript seems to be unique in its representation, but the text, with some distinctive features, seems to be based on the Ymagines Fulgencii. The representation of the story of Bacchus in the Bergamo manuscript is found in other illustrations, and its accompanied text seems to rely on the mythographical tradition present in an anonymous Liber de natura deorum of the twelfth century.
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spelling doaj.art-9c16a874a9184a108c23bb09a07241822024-01-31T15:05:58Zengeum edizioni università di macerataIl Capitale Culturale: Studies on the Value of Cultural Heritage2039-23622024-01-01006910410.13138/2039-2362/32712393Search of sources of Bersuire's Ovidius moralizatus after two illuminated passagesPablo Piqueras Yagüe0Universidad de MurciaThe objective of this paper is to put forward possible relationships of Bersuire's Ovidius moralizatus with other medieval works departing from two illustrations that accompany passages of the text in two different manuscripts: Bergamo, Biblioteca Civica Angelo Mai, Cassaforte 3.4, and Treviso, Biblioteca Comunale, 344. Therefore, analyzing the texts on which the two illustrations are based, we try to determine which works can be the source for them, and we also try to understand the figures represented in the illustrations. So, the figure of Vanity from the Treviso manuscript seems to be unique in its representation, but the text, with some distinctive features, seems to be based on the Ymagines Fulgencii. The representation of the story of Bacchus in the Bergamo manuscript is found in other illustrations, and its accompanied text seems to rely on the mythographical tradition present in an anonymous Liber de natura deorum of the twelfth century.http://riviste.unimc.it/index.php/cap-cult/article/view/3271
spellingShingle Pablo Piqueras Yagüe
Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
Il Capitale Culturale: Studies on the Value of Cultural Heritage
title Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
title_full Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
title_fullStr Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
title_full_unstemmed Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
title_short Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
title_sort search of sources of bersuire s ovidius moralizatus after two illuminated passages
url http://riviste.unimc.it/index.php/cap-cult/article/view/3271
work_keys_str_mv AT pablopiquerasyague searchofsourcesofbersuiresovidiusmoralizatusaftertwoilluminatedpassages