Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created

This work seeks to explore how certain symbols, built over time within a certain cultural context (in this case, said context being the one of western European culture), are re-contextualized within a given situation (World War I) to better serve the means of propaganda. How can a visual representat...

Full description

Bibliographic Details
Main Author: Boris Petrović
Format: Article
Language:English
Published: Singidunum University. Faculty of Media and Communications 2016-10-01
Series:AM: Art + Media
Subjects:
Online Access:http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/131
_version_ 1819062946144190464
author Boris Petrović
author_facet Boris Petrović
author_sort Boris Petrović
collection DOAJ
description This work seeks to explore how certain symbols, built over time within a certain cultural context (in this case, said context being the one of western European culture), are re-contextualized within a given situation (World War I) to better serve the means of propaganda. How can a visual representation of a certain symbol, thousands of years old and deeply rooted in cultural heritage, be repurposed and reshaped within months? Also, the article aims to explore the connection between the visual cannon of Orthodox icons and World War I propaganda posters.
first_indexed 2024-12-21T15:06:51Z
format Article
id doaj.art-9c39139c2efb41079c0fc9247b09e06c
institution Directory Open Access Journal
issn 2217-9666
2406-1654
language English
last_indexed 2024-12-21T15:06:51Z
publishDate 2016-10-01
publisher Singidunum University. Faculty of Media and Communications
record_format Article
series AM: Art + Media
spelling doaj.art-9c39139c2efb41079c0fc9247b09e06c2022-12-21T18:59:25ZengSingidunum University. Faculty of Media and CommunicationsAM: Art + Media2217-96662406-16542016-10-01010314010.25038/am.v0i10.131132Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is CreatedBoris Petrović0Paris Sorbonne alumnus, ParisThis work seeks to explore how certain symbols, built over time within a certain cultural context (in this case, said context being the one of western European culture), are re-contextualized within a given situation (World War I) to better serve the means of propaganda. How can a visual representation of a certain symbol, thousands of years old and deeply rooted in cultural heritage, be repurposed and reshaped within months? Also, the article aims to explore the connection between the visual cannon of Orthodox icons and World War I propaganda posters.http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/131narrative, visual narrative, logos, mythos, posters, Orthodox icons, symbols, cultural constructs
spellingShingle Boris Petrović
Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
AM: Art + Media
narrative, visual narrative, logos, mythos, posters, Orthodox icons, symbols, cultural constructs
title Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
title_full Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
title_fullStr Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
title_full_unstemmed Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
title_short Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
title_sort visual language of world war i propaganda on a symbolical plane how a visual symbol is created
topic narrative, visual narrative, logos, mythos, posters, Orthodox icons, symbols, cultural constructs
url http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/131
work_keys_str_mv AT borispetrovic visuallanguageofworldwaripropagandaonasymbolicalplanehowavisualsymboliscreated