Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created
This work seeks to explore how certain symbols, built over time within a certain cultural context (in this case, said context being the one of western European culture), are re-contextualized within a given situation (World War I) to better serve the means of propaganda. How can a visual representat...
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Format: | Article |
Language: | English |
Published: |
Singidunum University. Faculty of Media and Communications
2016-10-01
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Series: | AM: Art + Media |
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Online Access: | http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/131 |
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author | Boris Petrović |
author_facet | Boris Petrović |
author_sort | Boris Petrović |
collection | DOAJ |
description | This work seeks to explore how certain symbols, built over time within a certain cultural context (in this case, said context being the one of western European culture), are re-contextualized within a given situation (World War I) to better serve the means of propaganda. How can a visual representation of a certain symbol, thousands of years old and deeply rooted in cultural heritage, be repurposed and reshaped within months? Also, the article aims to explore the connection between the visual cannon of Orthodox icons and World War I propaganda posters. |
first_indexed | 2024-12-21T15:06:51Z |
format | Article |
id | doaj.art-9c39139c2efb41079c0fc9247b09e06c |
institution | Directory Open Access Journal |
issn | 2217-9666 2406-1654 |
language | English |
last_indexed | 2024-12-21T15:06:51Z |
publishDate | 2016-10-01 |
publisher | Singidunum University. Faculty of Media and Communications |
record_format | Article |
series | AM: Art + Media |
spelling | doaj.art-9c39139c2efb41079c0fc9247b09e06c2022-12-21T18:59:25ZengSingidunum University. Faculty of Media and CommunicationsAM: Art + Media2217-96662406-16542016-10-01010314010.25038/am.v0i10.131132Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is CreatedBoris Petrović0Paris Sorbonne alumnus, ParisThis work seeks to explore how certain symbols, built over time within a certain cultural context (in this case, said context being the one of western European culture), are re-contextualized within a given situation (World War I) to better serve the means of propaganda. How can a visual representation of a certain symbol, thousands of years old and deeply rooted in cultural heritage, be repurposed and reshaped within months? Also, the article aims to explore the connection between the visual cannon of Orthodox icons and World War I propaganda posters.http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/131narrative, visual narrative, logos, mythos, posters, Orthodox icons, symbols, cultural constructs |
spellingShingle | Boris Petrović Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created AM: Art + Media narrative, visual narrative, logos, mythos, posters, Orthodox icons, symbols, cultural constructs |
title | Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created |
title_full | Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created |
title_fullStr | Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created |
title_full_unstemmed | Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created |
title_short | Visual Language of World War I Propaganda on a Symbolical Plane: How a Visual Symbol is Created |
title_sort | visual language of world war i propaganda on a symbolical plane how a visual symbol is created |
topic | narrative, visual narrative, logos, mythos, posters, Orthodox icons, symbols, cultural constructs |
url | http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/131 |
work_keys_str_mv | AT borispetrovic visuallanguageofworldwaripropagandaonasymbolicalplanehowavisualsymboliscreated |