A Matter of Extreme Indelicacy: Neo-Victorian Critical Memory in <i>Kind Hearts and Coronets</i> (1949)
Critical assessments of Robert Hamer’s Kind Hearts and Coronets (1949) more often than not aim solely at discussing a larger cultural phenomenon, to wit, the Ealing Comedies and their impact on post-war Britain. Readings outside this paradigm are scarce. The film, however, engages with several issue...
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| Format: | Article |
| Language: | English |
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Svenska Arkeologiska Samfundet
2022-05-01
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| Series: | Current Swedish Archaeology |
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| Online Access: | https://publicera.kb.se/csa/article/view/18887 |