A Matter of Extreme Indelicacy: Neo-Victorian Critical Memory in <i>Kind Hearts and Coronets</i> (1949)
Critical assessments of Robert Hamer’s Kind Hearts and Coronets (1949) more often than not aim solely at discussing a larger cultural phenomenon, to wit, the Ealing Comedies and their impact on post-war Britain. Readings outside this paradigm are scarce. The film, however, engages with several issue...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Svenska Arkeologiska Samfundet
2022-05-01
|
Series: | Current Swedish Archaeology |
Subjects: | |
Online Access: | https://publicera.kb.se/csa/article/view/18887 |