Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)

The insertion of Crusades-related texts into an otherwise secular collection of fabulous Eastern travels focusing primarily on the Roman d’Alexandre marks it as a potentially didactic work. Yet at the same time the harmonious balance between the selected texts and the iconographic program tends to w...

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Main Author: Sandra Gorgievski
Format: Article
Language:English
Published: Université du Sud Toulon-Var 2016-01-01
Series:Babel: Littératures Plurielles
Subjects:
Online Access:http://journals.openedition.org/babel/4551
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author Sandra Gorgievski
author_facet Sandra Gorgievski
author_sort Sandra Gorgievski
collection DOAJ
description The insertion of Crusades-related texts into an otherwise secular collection of fabulous Eastern travels focusing primarily on the Roman d’Alexandre marks it as a potentially didactic work. Yet at the same time the harmonious balance between the selected texts and the iconographic program tends to weaken the religious and ideological agenda suggested by the Crusades. The result is a more diffuse emphasis upon the defamiliarization associated with exotic travel. Among other things, the images magnify the sea and the rivers, symbolizing a frontier with ’otherness’ and a passage to the wonders of the East.
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spelling doaj.art-9c859af33788472bab022a243880d0062022-12-22T00:24:34ZengUniversité du Sud Toulon-VarBabel: Littératures Plurielles1277-78972263-47462016-01-013326330010.4000/babel.4551Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)Sandra GorgievskiThe insertion of Crusades-related texts into an otherwise secular collection of fabulous Eastern travels focusing primarily on the Roman d’Alexandre marks it as a potentially didactic work. Yet at the same time the harmonious balance between the selected texts and the iconographic program tends to weaken the religious and ideological agenda suggested by the Crusades. The result is a more diffuse emphasis upon the defamiliarization associated with exotic travel. Among other things, the images magnify the sea and the rivers, symbolizing a frontier with ’otherness’ and a passage to the wonders of the East.http://journals.openedition.org/babel/4551illuminationmanuscript Royal 19 D IcrusadesseariverOrient
spellingShingle Sandra Gorgievski
Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)
Babel: Littératures Plurielles
illumination
manuscript Royal 19 D I
crusades
sea
river
Orient
title Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)
title_full Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)
title_fullStr Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)
title_full_unstemmed Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)
title_short Voyages outremer, à nuls autres pareils ? Mers et fleuves d’Orient dans le programme iconographique du manuscrit Royal 19 D I (1333-1340)
title_sort voyages outremer a nuls autres pareils mers et fleuves d orient dans le programme iconographique du manuscrit royal 19 d i 1333 1340
topic illumination
manuscript Royal 19 D I
crusades
sea
river
Orient
url http://journals.openedition.org/babel/4551
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